tubes up to the light, but Beli usually passed her school days dreaming about the various boys around her (she had stopped staring at them openly after one of her teachers had written a letter home to La Inca and La Inca had chastised her, Where do you think you are? A brothel? This is the best school in Baní, muchacha, you’re ruining your reputation!), and if not about the boys then about the house she was convinced she would one day own, furnishing it in her mind, room by room by room. Her madre wanted her to bring back Casa Hatüey, a history house, but Beli’s house was new and crisp, had no history at all attached to it. In her favorite María Montez daydream, a dashing European of the Jeans Pierre Aumont variety (who happened to look exactly like Jack Pujols) would catch sight of her in the bakery and fall madly in love with her and sweep her off to his chateau in France.↓
≡ María Montez, celebrated Dominican actress, moved to the U.S. and made more than twenty-five films between 1940 and 1951, including Arabian Nights, Ali Baba and the Forty Thieves, Cobra Woman , and my personal favorite, Siren of Atlantis . Crowned the ‘Qyeen of Technicolor’ by fans and historians alike. Born María Africa Gracia Vidal on June 6, 1912, in Barahona, bit her screen name from the famous nineteenth-century courtesan Lola Montez (herself famous for fucking, among others, the part-Haitian Alexandre Dumas). María Montez was the original J. Lo (or whatever smoking caribeña is the number-one eye-crack of your time), the first real international star the DR had. Ended up marrying a Frenchie (sorry, Anacaona) and moving to Paris after World War II. Drowned alone in her bathtub, at the age of thirty-nine. No sign of struggle, no evidence of foul play. Did some photo ops for the Trujillato every now and then, but nothing serious. It should be pointed out that while in France, María proved to be quite the nerd. Wrote three books. Two were published. The third manuscript was lost after her death.
(Wake up, girl! You’re going to burn the pan de agua!)
She wasn’t the only girl dreaming like this. This jiringonza was in the air , it was the dreamshit that they fed girls day and night. It’s surprising Beli could think of anything else, what with that heavy rotation of boleros, canciones, and versos spinning in her head, with the Listin Diario’s society pages spread before her. Beli at thirteen believed in love like a seventy-year-old widow who’s been abandoned by family, husband, children, and fortune believes in God. Belicia was, if it was possible, even more susceptible to the Casanova Wave than many of her peers. Our girl was straight boy-crazy . (To be called boy-crazy in a country like Santo Domingo is a singular distinction; it means that you can sustain infatuations that would reduce your average northamericana to cinders.) She stared at the young bravos on the bus, secretly kissed the bread of the buenmosos who frequented the bakery, sang to herself all those beautiful Cuban love songs.
(God save your soul, La Inca grumbled, if you think boys are an answer to anything .)
But even the boy situation left a lot to be desired. If she’d been interested in the niggers in the barrio our Beli would have had no problems, these cats would have obliged her romantic spirit by jumping her lickety-split. But alas, La Inca’s hope that the rarified private airs of Colegio El Redentor would have a salutary effect on the girl’s character (like a dozen wet-belt beatings or three months in an unheated convent) had at least in this one aspect borne fruit, for Beli at thirteen only had eyes for the Jack Pujolses of the world. As is usually the case in these situations, the high-class boys she so desired didn’t reciprocate her interest — Beli didn’t have quite enough of anything to snap these Rubirosas out of their rich-girl reveries.
What a life! Each day turning on its axis slower than a year. She endured school, the
≡ María Montez, celebrated Dominican actress, moved to the U.S. and made more than twenty-five films between 1940 and 1951, including Arabian Nights, Ali Baba and the Forty Thieves, Cobra Woman , and my personal favorite, Siren of Atlantis . Crowned the ‘Qyeen of Technicolor’ by fans and historians alike. Born María Africa Gracia Vidal on June 6, 1912, in Barahona, bit her screen name from the famous nineteenth-century courtesan Lola Montez (herself famous for fucking, among others, the part-Haitian Alexandre Dumas). María Montez was the original J. Lo (or whatever smoking caribeña is the number-one eye-crack of your time), the first real international star the DR had. Ended up marrying a Frenchie (sorry, Anacaona) and moving to Paris after World War II. Drowned alone in her bathtub, at the age of thirty-nine. No sign of struggle, no evidence of foul play. Did some photo ops for the Trujillato every now and then, but nothing serious. It should be pointed out that while in France, María proved to be quite the nerd. Wrote three books. Two were published. The third manuscript was lost after her death.
(Wake up, girl! You’re going to burn the pan de agua!)
She wasn’t the only girl dreaming like this. This jiringonza was in the air , it was the dreamshit that they fed girls day and night. It’s surprising Beli could think of anything else, what with that heavy rotation of boleros, canciones, and versos spinning in her head, with the Listin Diario’s society pages spread before her. Beli at thirteen believed in love like a seventy-year-old widow who’s been abandoned by family, husband, children, and fortune believes in God. Belicia was, if it was possible, even more susceptible to the Casanova Wave than many of her peers. Our girl was straight boy-crazy . (To be called boy-crazy in a country like Santo Domingo is a singular distinction; it means that you can sustain infatuations that would reduce your average northamericana to cinders.) She stared at the young bravos on the bus, secretly kissed the bread of the buenmosos who frequented the bakery, sang to herself all those beautiful Cuban love songs.
(God save your soul, La Inca grumbled, if you think boys are an answer to anything .)
But even the boy situation left a lot to be desired. If she’d been interested in the niggers in the barrio our Beli would have had no problems, these cats would have obliged her romantic spirit by jumping her lickety-split. But alas, La Inca’s hope that the rarified private airs of Colegio El Redentor would have a salutary effect on the girl’s character (like a dozen wet-belt beatings or three months in an unheated convent) had at least in this one aspect borne fruit, for Beli at thirteen only had eyes for the Jack Pujolses of the world. As is usually the case in these situations, the high-class boys she so desired didn’t reciprocate her interest — Beli didn’t have quite enough of anything to snap these Rubirosas out of their rich-girl reveries.
What a life! Each day turning on its axis slower than a year. She endured school, the
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