Zombies Don't Forgive

Zombies Don't Forgive by Rusty Fischer Page B

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Authors: Rusty Fischer
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chocolate and flowers and sweater-over-his-shoulders, hand-holding guy.
    I wipe the guys’ blood on the side of my jeans and stoop to rinse off in a puddle of standing water in the church parking lot.
    â€œWhat happened?” Dane says.
    I shrug. “Nothing much. Just common late-night thuggery. This neighborhood seems like it gets worse every day.”
    â€œThen it’s good you’re here to keep Normal grave rubbers safe, right?”
    I figure he’s joking, but when I look up, I know he’s not. He has his thoughtful face on: lids half-shut, cheeks sucked in, lips tight. Stamp always called it Dane’s grim face.
    The thought of Stamp makes me smile.
    We walk back to the apartment, then past it. Dane pauses at the entrance, standing in the silhouette of a dozen broken Christmas lights wrapped around The Socialite sign, still waiting for someone to take them down before it’s time to put them back up again.
    â€œI need to think,” I tell him when he follows reluctantly.
    â€œOkay, yeah, good idea. Listen, Maddy, about the map. I’m sorry. I just—”
    â€œYou know what I was thinking of?” I interrupt, ignoring him. “When those guys jumped me back there? I was remembering the first time Bones and Dahlia did the same thing back in Barracuda Bay.”
    â€œAnd?” he says when I don’t immediately deliver the punch line.
    â€œAnd it got me thinking,” I huff, waiting for him to catch up. “I don’t think Val’s a Sentinel, Dane. I think … I think she’s a Zerker.”

12
Val’s His Gal
    â€œThis is awkward.” Stamp smiles as we sit in the same booth at his favorite café. It’s midway between work and home, but that’s not why he likes it. They serve carbonated espresso shots, and he’s as addicted as a zombie can be to something other than brains.
    The place is one of those funky, poser, retro coffee shops with floor-to-ceiling windows and stark, uncomfortable black chairs and matching tables, black-and-white framed art of random couples kissing in France, and baristas who haven’t bathed in days and are damn proud of it.
    They all know Stamp by name and have his order practically waiting for him when he walks through the door, while they look at me and my Mountain Dew Voltage as if I’ve just ordered fried chicken at a vegetarian buffet.
    It’s not just that I’m undead. It’s that I’m unhip. Stamp, in his endless effort to pass among the Normals, has managed to expertly navigate a world I’m still trying to understand. Even months after being reanimated, I’m still experimenting with the right layering of my makeup, trying not to look too pale or too gray or too orange or too fleshy. I’m still working on finding long-sleeved shirts that don’t look dorky and leggings that don’t make me look 12 years old.
    But Stamp? He’s mastered this world. Not just the living world but the teenage world. I keep forgetting I was never hip when I was alive, and Dane could never be anything other than a bad boy—good for making your dad mad, bad for dinner parties and cafés and poser clubs.
    But Stamp was already heading toward permanent cool before he died. Now he’s just made it his life’s mission to belong. And here, in a place like this, with funky so-retro-its-hot-again remixes of old ’80s songs on the overhead speakers and hipster baristas with stringy beards and carbonated espresso, it’s like his home turf and I’m the sore thumb.
    It’s after work and he’s dressed for another long night out, in snug black leather pants and a shiny gray shirt that manages to make his skin only vaguely pale. His favorite black-and-white hoodie is tossed across one corner of the table, his shiny cell phone resting atop it.
    He looks good, but I know that’s mostly because he wants nothing to do with me.
    â€œAwkward how?” I say,

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