go to the back, reach into your rucksack, and come back with the phone. She doesn’t thank you, she takes two steps backward and taps away. You turn down the radio to hear her better.
“… no, I’m stuck here … Don’t … But I … I’ll give you ten euros, I promise. What? Please, Paul, come and fetch me … What? The what? You know what time it is? There are no buses aroundhere. And I hate them anyway, you know that. What? Aunt Sissi can go and fuck herself.”
Suddenly she looks up, phone still to her ear, looks at you, caught you red-handed, you duck a bit but hold her gaze.
“Fuck this shit!” she says, and you are not sure if she’s talking to you.
She snaps the phone shut. You ask if there’s a problem.
“What do you know about problems?”
“I … I could take you home.”
“How are you going to take me home?”
“I can if I want.”
“But I’m not giving you ten euros.”
“That’s okay.”
You laugh, you really don’t know what you’re doing. Uncle Runa will strangle you if you shut the place for as much as a minute. But you’re making things even worse, because after Uncle Runa has strangled you he’ll cut you into pieces as soon as he finds out you’ve borrowed his old Vespa.
“On that thing?”
She has walked around the pizza stand. You pulled the tarpaulin off the bike like somebody performing a magic trick. She stands there as if she wants to buy the Vespa, then she kicks the back tire so that the bike nearly tips over. You flinch but don’t say anything. Uncle Runa drives around the block once a week to charge the battery. He got the Vespa from scrap and rebuilt it himself. He calls it Dragica.
“But I’m not wearing a helmet, just so we’re clear on that.”
She points to her piled-up hair. You nod: if she doesn’t want a helmet then she doesn’t want one. You untie the string of your apron and for a moment you smell her breath.
Definitely drunk
. The key to the Vespa hangs on a nail above the radio. You take it as if you do this every day. Perhaps you’ll drive along Seelingstrasse afterward and beep two times. Perhaps Uncle Runa will recognize the rattle of his Dragica and come running after you.
Once you’ve shut up shop you put on your uncle’s helmet. It’stoo big, but it doesn’t matter. She stands there and holds out her hand.
“What is it?”
“Did you think I’d let you drive me?”
“But—”
“Come on, make a choice.”
You hand her the key and imagine what it’ll feel like sitting behind her. Her warmth, her presence. You’ll lean into the bends together and be like a single person. Not just you, not her–both of you. And just as you feel your excitement growing into an erection you quickly think of your mother gutting a chicken and at the same time the Vespa springs to life with a cough and bumps over the curbstone and zigzags along the street. A taxi beeps, then the lights of the Vespa come on and it disappears around the next corner.
Without you.
You don’t exist anymore. When you move, the air around you is still. Not a breeze. You speak, and silence replies. You’re there, without being there. And even though you don’t believe it right now, it’s a pleasure to meet you at last. You’re always present in the thoughts of your girls, but we’ve learned as little about you so far as if you didn’t really exist.
Don’t worry, you don’t need to talk, you don’t need to think or, for a while, exist, we’ll find out everything about you anyway. Why you became a shadow, why you don’t want to exist anymore. Invisible. We’ll open a window into your life and let the light in, and we’ll shake you awake until you scream with fury. But there’s time for that, that comes later.
The table in front of you is vertical, but nothing’s falling off it. Not the glasses, not the magazines or the ripped bag of powder. Even the hand-knitted tea cozy doesn’t move. Every time you look at it you wonder where the
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