Witch Hunt

Witch Hunt by Ian Rankin

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Authors: Ian Rankin
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passed two garden centres before reaching Perth. Police might investigate one or two garden centres, but she doubts they would go much further afield.
    She is now standing beside a telegraph-pole in a field across the lane from Khan’s house. She knows this is a dangerous period. She will soon be visible from the house. She checks her watch. Two. The bodyguard locked up two hours ago. They will rise early tomorrow to catch their plane back south. Or rather, if things go as intended, they won’t.
    She waits another minute. What moon there is disappears behind a hefty bank of cloud. She ties her belt around the pole as well as herself, grips the pole, hugging herself to it, and begins to climb. Eventually, she knows, twenty-odd feet up, there will be foot-holds to help her. But for now she has only her own strength. She knows it will be enough. She does not hesitate.
    At the top of the pole, beneath the wires themselves, sits a large junction box containing the thinner wires running back to homes in the area. She thinks Khan’s alarm system works via telephone lines. From what she’s seen of it, it looks just the type. If it doesn’t ... Well, she will fall back on other plans, other options. But for now she has to keep busy, working fast while the moon stays hidden. She slips a pencil-thin torch into her mouth, holding it as she would a cigarette, and, by its light, begins to unscrew the front from the junction box.
    Terrorists aren’t just people who terrorise. They are people who hunger for knowledge, the knowledge of how things work. In knowing how things work, you discover how society works, and that knowledge can help cripple society. She knows she can disrupt communications, bring transport systems to a halt, generate mayhem by computer. Given the knowledge, anything can be achieved. The junction box holds no surprises for her, only a certain measure of relief. She stares at the confusion of wires for a moment, and knows that she can stay with plan one.
    There is a distinct colour-coding for the wires from Khan’s alarm system. The puzzle is that there seem to be two sets. One for the main house ... The other? A room inside the house, perhaps, or a garage or workshop. She decides to take both sets out with her neat rubber-handled wire-clippers. It was a good alarm system, but not a great one. A great alarm system would send a constant pulse to the outside world. And if that pulse were interrupted, then the alarm bells would ring. Cutting the wires would cause the alarm to sound in the distant police station. But such systems are unreliable and seldom used. They are nuisances, sounding whenever a fluctuation in current occurs, or a phone-line momentarily breaks up. Society demands that alarms not be a nuisance.
    There were times when Witch worried about society.
    The job done, she slipped slowly back down the pole and untied her harness at the bottom, putting it back in her heavy black holdall along with the spikes and her tools. Now for the wall. She clambered up and sat on the top for a second, studying the windows in the house, then fell into the dark garden. She had climbed the wall precisely twelve feet to the left of the gate, so that she fell onto grass and not into shrubbery. She’d decided to enter the way most burglars would - by the back entrance - not that she was intending to make this look like a burglary. No, this was to be messy. Her employers wanted her to leave a message, a clear statement of their feelings.
    The kitchen then, its door bolted top and bottom with a mortice lock beside the handle. The bedrooms are to the front of the house. She can make a certain amount of noise here. Silence, of course, would be best. Silence is the ideal. In her holdall is a carefully measured and cut piece of Fablon, purchased at a department store in Perth. Ghastly pattern and colour, though the assistant had praised it as though it were an Impressionist painting. Witch is surprised people still use it. She

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