herself.
Eleanorâs brother must be blind.
The poor man . . . and he looked so healthy in the photograph.
That prolonged fumbling at the fabric, the long, pale fingers searching desperately for a fold to grasp, saddened her so much that a lump formed in her throat. She wondered if she should warn Eleanor that her brother might need help. However, after a momentâs scrabbling, he seized the fabric, then shut the curtain so quickly that she could almost feel his desperation to keep the world out of sight.
Sally appeared at the doorway. âDidnât you hear me?â
âSorry, I was just . . .â
Spying on Eleanorâs brother?
âIâll be right there.â
âGet your scarf and gloves. Itâs freezing.â Sally clutched Bethâs arm as they headed for the staircase. âOur first day in Whitby. Canât you just feel it in the air! Something really amazing is going to happen today. Just you wait and see.â
Two
At the reception desk, Eleanor handed Alec Reed a pen. âIf you can sign the register, please, Mr Reed.â
âCall me Alec, please.â
âAnd Iâm Eleanor. Ah, a left-hander, I see. An indication of artistic sensibility.â
Alec wrote his name in the book. âYour last guest before Beth and Sally signed in was two years ago.â
âThe war stopped people holidaying at the coast. They were afraid that Hitlerâs Storm Troopers might come ashore here. So I decided to simply keep the front door locked until hostilities ended. Iâll get your cases.â
âNo bellboy?â
âHeâs on a minesweeper out in the Atlantic. And our chef is making his wonderful beef and ale stew for the garrison down in Portsmouth. Young men are hard to find in Whitby these days, Alec.â
He returned her pen. âSo youâll be wondering what a six-foot Scot, of thirty years of age, is doing in your nice safe hotel. The man should be marching with a rifle in his hand, isnât that so, Eleanor?â
âWe all have our reasons for what we do, whether they be public knowledge or utterly secret.â
He held up his right hand. âThis has all the dexterity of a crabâs claw. The bus I was travelling in, when I was ten years old, rolled off the road. It did such a good job of busting the ligaments that my right hand, though itâs strong, acts like a pincer â nothing more. Hence, the military rejected me and my crab-claw hand.â
âYou must be frustrated that you canât join the fight.â
âSo youâd think, but when I received the letter telling me that Iâd spend the war as a civilian I celebrated for twenty-four hours straight.â
âOh.â
âCan I be confessional, Eleanor?â
âIf thatâs what you wish.â
âWell, I confess this fact: Iâve never done a useful thing in my adult life. I lived for pleasure. Let everyone else do the dull chores. If you work for a living youâre a fool.â
âIs that what you think?â Eleanor put the register back on its shelf.
âIt was my mantra. I told everyone I was a writer. In truth, I wrote very little. All my creativity went into finding routes to pleasure.â
âAlec Reed,
Soho Square and Beyond
.â
âYouâve read my one and only novel? You belong to a tiny elite, Eleanor.â
âAnd it is an extraordinary book. You are a very talented writer.â
âYouâre too kind.â
âNot at all. Iâm not one to flatter for no valid reason.â
He picked up his suitcase. âA production company hired me to write a script for a patriotic film. One that shows neutral nations how life is lived under siege here in Britain.â
âThen itâs a laudable film to make.â
âI wrote the script. And I hated it. Hated it with a passion. And I resented being forced to work the nine to five. Then I happened to be
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