resting on their chocks, were so dazzling that Max had to lower his cap a little more to shield his eyes. Mecha Inzunza took a pair of dark glasses out of the pocket of her sweater and put them on.
âWhat you told him about the origins of tango fascinated him,â she said, after a few more steps. âHe canât stop mulling it over. . . . He is expecting you to keep your word and take him there.â
âWhat about you?â
She gave him a sidelong glance, turning her head twice, asthough not fully grasping the implications of his question. Inzunza bottled spring water, Max remembered. He had flicked through the illustrated magazines in the reading room in search of advertisements, and had questioned one of the stewards. At the turn of the century, her grandfather, a pharmacist, had made a fortune bottling water in Spainâs Sierra Nevada. Later on, her father had built two hotels there, and a new health spa, recommended for people with liver and kidney ailments, which had become fashionable among the Andalusian upper classes in the summer season.
âWhat are you expecting, Mrs. de Troeye?â Max persisted.
By this stage of their conversation, he was hoping she might ask him to call her Mecha, or Mercedes. But she did not.
âIâve been married to Armando for five years. And I admire him deeply.â
âIs that why you want me to take you there? To take you both there?â He allowed himself a skeptical expression. âYou arenât a composer.â
She did not reply at once, but continued to stroll, her eyes hidden behind her dark glasses.
âWhat about you, Max? Will you travel back to Europe on the Cap Polonio or stay in Argentina?â
âI may stay for a while. Iâve been offered a three-month contract at the Plaza Hotel in Buenos Aires.â
âAs a dancer?â
âFor now, yes.â
A brief silence.
âThat doesnât seem to hold much of a future. Unless . . .â
She fell silent again, yet Max had no difficulty completing the sentence: unless with your good looks, honest-John smile, and tangos you manage to seduce a millionairess perfumed with Roger & Gallet, who will take you on, all expenses paid, as a chevalier servant . Or, as the Italians put it more crudely, a gigolo.
âI donât intend to devote my entire life to that.â
Now the dark glasses were turned toward him. He saw himself reflected in them.
âThe other day you said something interesting. You spoke of tangos to cry for and tangos to die for.â
Max made a dismissive gesture, as if to minimize its importance. His instinct told him to be honest this time, too.
âIt was a friend who said that, not me.â
âAnother dancer?â
âNo . . . He was a soldier.â
âWas?â
âHe isnât any longer. He died.â
âI am sorry.â
âThere is no need to be.â Max smiled wistfully to himself. âHis name was Dolgoruki-Bragation.â
âNo ordinary soldierâs name. More like that of an officer, wouldnât you say? . . . A Russian aristocrat.â
âThat is exactly what he was: Russian and an aristocrat. Or so he claimed.â
âAnd was he really . . . an aristocrat?â
âPossibly.â
Now, perhaps for the first time, Mecha Inzunza seemed unsettled. They had come to a halt beside the outer rail, at the foot of one of the lifeboats. The name of the boat was painted in black letters on its prow. She removed her hat (Max managed to read Talbot on the inside label) and shook her hair, loosening it in the breeze.
âWere you a soldier, too?â
âFor a time. Not for long.â
âIn the world war?â
âIn Africa.â
She tilted her head slightly to one side, fascinated, as though seeing Max for the first time. For years, the war in North Africa had been grabbing the headlines in the Spanish press, filling
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