knew what was up. Mr. Lyons didnât want to lose his funding, and at the same time, he didnât want to direct a bomb.
âWe have two more Titanias to audition, and then weâll move on to Puck, Bottom and the lovers,â Mr. Lyons said. âNext up, Mary Fernandez?â
âYou know what?â Whitney said. âI donât think I want to audition after all.â
Typical,
Haley thought.
If Cocoâs not going to act, her mini-me wonât either.
âGood thinking, Whit,â Coco said. âAs assistant director Iâd never give you a decent part anyway. Besides, I think youâd be much better on costumes.â
Whitney let the original insult slide. âThat would be a lot more fun,â she said, already thinking about fabrics.
âIâll tell Mr. Lyons at the end of auditions,â Coco said, writing
Whitney=costumes
in a notebook. âWhat about you, Miller? Ready to throw in the towel yet?â
âNo,â Haley said. âI still want to audition. Just to see what happens.â
âYour funeral,â Coco said, shaking her head.
Haley had no idea how her audition would turn out. âI need a few minutes to concentrate and gather my thoughts,â she told Coco and Whitney.
âGood luck,â Whitney said genuinely.
Haley settled in the front row and watched the rest of the tryouts. Shaun mounted the stage in his donkeyâs head and brought the house down with his slapstick reading of his lines. Afterward, Irene quietly went to Mr. Lyons and asked to scratch her name off the audition list. âIâd rather help design the sets,â she offered. Haley wondered if Irene had succumbed to stage fright. She certainly looked a little green.
âExcellent,â Mr. Lyons told Irene. âWeâll need skilled artists to create the Athens Iâm envisioning.â
As Haley watched, she noticed what worked and what didnât in various line readings. How speaking the unfamiliar Elizabethan lines naturallyâbut still with a dramatic flairâseemed to work best. Facing the audience, speaking clearly and moving around made an actor more interesting to watch than someone who just stood there like a wooden soldier, reading straight from the text.
Haley paid extra attention when Devon took the stage, auditioning for Lysander and Demetrius. Devon had always been a little on the quiet side, so Haley was surprised to see him stride across the boards with great confidence. Mr. Lyons asked him to read one of Demetriusâs speeches for a second time. Devon took a breath, closed his eyes, then opened them and began to speak.
ââO Helen, goddess, nymph, perfect, divine! To what, my love, shall I compare thine eyes? Crystal is muddy. O, how ripe in show thy lips, those kissing cherries, tempting grow! That pure congealed white, high Taurusâ snow, fannâd with the eastern wind, turns to a crow when thou holdâst up thy hand: O, let me kiss this princess of pure white, this seal of bliss!ââ
The sound of Devonâs voice made Haley swoon. The words were so romantic, and he said them with such
passionâ¦
She felt more determined than ever to win the part of Helena. Then, if Devon played Demetrius, he would say those beautiful words directly to her.
Sebastian tried out for Demetrius as well. He read the same speech as Devon, though it was a touch harder to understand through his accent. But he looked magnificent onstage, his body moving gracefully across the platform, his hair gleaming in the lights.
What if he got the part instead of Devon?
Haley thought idly. Playing opposite Sebastian wouldnât be the end of the world.
Haley went outside for some air and to focus while Mr. Lyons auditioned boys for the part of Puck, the mischievous fairy. When Haley finally returned to the auditorium, Mr. Lyons announced, âWeâre on our last Puck, so Hermias and Helenas, get ready, youâre next.
Debbie Viguié
Dana Mentink
Kathi S. Barton
Sonnet O'Dell
Francis Levy
Katherine Hayton
Kent Flannery, Joyce Marcus
Jes Battis
Caitlin Kittredge
Chris Priestley