a bronze cuff, chased in a pattern of curves and dots. A dusting of rust-colored powder—red ocher—on several ribs, staining the soil beneath like blood. Something glittered from the skull, and she caught glints of gold and silver where bits of metal had fallen into the rib cage as the corpse decayed. Peering into the hole left by the collapsed wall, she glimpsed another array of bones and a very faint glimmering.
More artifacts. When she withdrew, her heart was pounding so hard she thought she might faint. She gazed back at the skeleton. Nothing, no ancient hoard of gold or bronze, could be as precious to her as that human form. She wept openly to look upon it.
“Jesus God. June, June, June.”
Somehow it had not been crushed by the weight of millennia. Perhaps the slow withdrawal of the River Othiym from the valley had eased its passage, providing a protective boggy medium until the harsher weather of modern times overtook Çaril Kytur. Or maybe it was as June Harrington had told her once—
“They look after their own, you know. It doesn’t matter how long — they don’t sleep, and they don forget.”
June had been speaking of the Benandanti, but Magda had used the anecdote with her own students, referring to the remarkable preservation of the Shanidar site.
“They don’t sleep …”
This one hadn’t been sleeping when they killed him. Or perhaps he had been. Perhaps among the shattered remains of pottery and ornament she would find a ritual cup, a cauldron with pollen still adhering to its rim, chemical traces of psylocibin spores or papaver rhoeas, corn poppy. She extended one hand, her fingers trembling as they brushed the fragile-looking arch of ribs. She half expected the bones to crumble into ash at her touch, but they did not. They felt cool and solid as polished wood, their slightly rough pitted surface giving them a softer edge than she would have expected, like the velvet covering a yearling stag’s antlers. If she struck one, she was certain it would ring sweetly, like a bell.
It was bright enough now that she switched off her flashlight and stuck it into a soft mound of earth. She turned and lovingly ran both hands across the long femur, her fingertips catching on the raised lip of a scar, the rounded knob of its pelvis gleaming softly in the silvery dawn. Not just a burial, but a sacrificial burial: a ritual murder dating back some three thousand years. A major, major find.
June Harrington would be vindicated. Michael Haring would recoup his small investment. And Magda Kurtz’s reputation would be made.
Somewhere far above a warbler let loose a thin ribbon of song. She should go and wake the others, get cameras and notebooks and plaster of Paris down here, some kind of sandbags to keep the shaft from eroding further. Automatically she noted all the things she would write up later. Width of pelvis indicated a male. The clean edges along the damaged vertebrae suggested that a very sharp blade had been used for the sacrifice. A broken rib had healed unevenly; perhaps he had been a warrior. Teeth in surprisingly good condition, which meant a good diet. Probably quite young by modern standards, maybe eighteen years old. Most striking of all the positioning of the skull: carefully placed within the hands so that it faced outward, its empty eyes watching, waiting …
Nowhere had she ever read of a ritual slaying even remotely similar to this. She thought of George’s linguistic research, of how it pointed to heretofore unproven links with the Aegean. Together with the skeleton, this find would give weight to his work, and to all the hours of research that Magda herself had put into proving her mentor right. The welter of objects buried with the victim might at last provide conclusive evidence for June’s theories of a matrilineal culture in central Europe, undeniable proof of human sacrifice to a lunar goddess.
Magda took a deep breath. She pressed her clenched fists to her breast to keep
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