me up, sets me on my feet, but my legs tremble so hard I think theyâll buckle.
No accomplices present.
Sometimes late at night, Julian goes on runs to the northernmost point of the cliff side and back. Sometimes Frankie patrols the caves around the pool to ensure theyâre all empty. But how can all the soldiers be gone now? How could we have made it this far only to get snatched up this easily? My arms are pulled roughly behind my back, and when I struggle, the person pulling them groans. I realize itâs a woman.
Beside us, someone sighs. âJust knock her out. Iâll do it, if you think you canât take her.â
I move my head a fraction. The man whoâs just spoken leans over Harpâs bed and scoops something into his arms. When he straightens up, I see Harpâs body, limp and lifeless, her head lolling back on her neck.
âHarp!â I try to struggle out of the womanâs grasp, and one arm gets loose, but then I feel a sharp blow between my shoulder blades, knocking the wind out of me. The man carrying Harp laughs; he moves toward the back exit. The woman pulls me against her with one arm. The other arm reaches toward the man with the flashlight.
âCan I use that a second?â
âDonât hit her too hard,â he warns, handing it over. âBlackmore wants them alive.â
My heart thumps painfully. I pull with all my energy against the womanâs hold, but sheâs far stronger. I have less than seconds. If she knocks me out, thereâs nothing I can do to help Harp. I shout in frustration and feel the womanâs arm rear back, the heavy flashlight in her fist. Then the room is flooded with light. At first I donât understandâIâve never seen Cliff House lit. The Peacemakers react with panic. The woman freezes, but the other three retrieve guns from holsters I didnât notice before. The one carrying Harp drops her to pull out his, and in the second before she hits the floor, I see her arm jut out to break her fall.
âEasy does it,â calls the man who seems to be in charge. He looks around, trying to identify the source of the lights. âDonât do anything stupid now. Letâs talk this throughâthese girls canât be worth that much to you.â
I look up, hoping to see Diego march in with guns blazing, the remaining soldiers flanking him, controlled and furious. But I donât see anyone but the Peacemakers, and Harpâs body on the floor, eyes shut tight.
âRandy,â the man mutters. âCall for backup.â
Randy nods, taking his phone from his pocket. He hasnât quite brought it to his ear when I see a flash of movement from across the room and hear Randyâs accompanying howl of pain as he drops the phone. He turns slightly and I see the knife protruding deeply into his hand. The man who held Harp is closest to the movement; he reacts quickly, shooting twice in that direction. Thereâs a yelp from behind the bar. My stomach turnsâFrankie.
âWhat the
fuck!
â Randy screams.
âLanguage, Randy!â
âFuck you, Nelsonâthereâs a
knife
in my hand.â Tears stream down his face as he turns to where Iâm held and points his gun at me.
âRandy, donât!â shouts the female Peacemaker. I feel her grip on me loosen just a little. âYouâre not thinking clearly!â
âThey want her alive, Randy,â says Nelson urgently. âWe have to keep her alive. You swore on the Book of Frick.â
âYeah, well, that was before I got
stabbed in the fucking hand!
â Randy shouts.
He fires.
But before he does, in the half moment between his voice hitting my ears and his finger pulling the trigger, I drop to the floor as heavily as I can. The Peacemakerâs hold on me breaks as the room explodes into sound and fireâI hear her scream, clutching her shoulder; Randyâs bullet has hit her where my head just
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