floats right by with a fresh mess of tributes for the Lechugasâ front porch.
âWe happy we allow home to continue our young life,â says Abdini, like heâs me, or weâre fucken brothers or something. âAnd we cantinue inbestigation into whappen that terryball day . . .â
I got me some learnings in court, I have to say. The way everybody acts, court is like watching TV-trailers; a shade of this movie, a bite of that show. The one where the kid gets cancer, and everybody speaks haltingly. The one where the rookie cop decides whether to be a bag-man for bribes, or to blow his crusty partnerâs cover. I personally wouldnât recommend playing that one, though; everybody ends up being on the take, like even the mayor. And donât fucken ask what show I got stuck with. âAmericaâs Dumbest Assholesâ or something. âAlly McBowel.â
The Mercury bitches under Pamâs sandals. Thatâs because she uses both pedals at once. âNo point
having
a brake pedal if your footâs a mile away on the other side of the car,â sheâll tell you if you ever bring it up. I only brought it up once. âMight as well throw the darned pedal out the door.â Camera people scatter as we lunge up Gurie Street. I see the TV pictures in my mind, the shot of my ole mutton head looking back from the Mercury.
âBut, what kind of
meals
did you get?â asks Pam.
âRegular stuff.â
âBut like, what? Like, pork ânâ beans? Did you get dessert?â
âNot really.â
âOh
Lord
.â
She spins the car into the
Barn
drive-thru. One good thing about Pamâs TV-movie; you know how the thingâs going to end. Thatâs the kind of life I want, the life we were fucken promised. A fuzzy ole show with some flashes of panty and a happy ending. One of those shows where the kidâs baseball coach takes him camping, and teaches him self-respect, youâve seen that show, with electric piano notes tinkling in the background, soft as ovaries hitting oatmeal. When you hear that piano it means somebodyâs hugging, or a woman is crumpling her lips with overwhelming joy, down by a lake. Boy, the life I could have with the right musicbehind me. Instead I watch Liberty Drive screen through the window, with
Galveston
playing in back. We pass the place where Max Lechuga sucked his last breath. He said some words, but you couldnât hear them. Heat comes to my eye, so I spark up a distraction.
âMa home?â I ask.
âWaiting on the fridge delivery,â says Pam.
âYouâre kidding.â
âHumor her, sheâs going through a lot. No harm in just waiting.â
âThatâll be one long wait.â
Pam just sighs. âYouâll be sixteen in a few days. We wonât let anything spoil your birthday.â
I cushion myself in this familiar ole cream; family, with all its flavors of smell. Iâve only been gone a week, but my ole routines seem like a past life. The first thing I do when we turn into Beulah Drive is check for Lallyâs van. I try to see past a knot of reporters in the road, but then the Seldome Motelâs new minibus pulls up by the Lechugasâ teddy farm. Strangers lean out, take pictures, bow their heads, then the van pulls away toward the mantis market. Lallyâs space under the willow is empty.
âTake these fries to your ma,â says Pam through a mouthful of drumstick.
âNot coming in?â
âI have pinball right now.â Playing pinball is healthy, according to Pam.
Reporters jostle me all the way to the front door. I slip inside, locking the door behind me, then just hang, soaking up the familiar whiff of ketchup and wood polish. Allâs quiet inside, except for the TV. I go to leave the fries on the breakfast bar, but just as I reach the kitchen, I hear a noise up the hallway. Like a sick dog. Then comes a voice.
â
Wait
â
Bailey Bradford
Margery Allingham
Sarra Cannon
Lana Grayson
Rebecca Avery
Alex Lukeman
Colleen Houck
Margarita Madrigal
Lia Farrell
Jeanette Murray