Vermilion Sands

Vermilion Sands by J. G. Ballard Page A

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Authors: J. G. Ballard
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next evening, as I knew it would, the telephone finally rang.
    ‘Mr Milton, the statue has broken down again.’ Mme Charcot’s voice sounded sharp and strained. ‘Miss Goalen is extremely upset. You must come and repair it. Immediately.’
    I waited an hour before leaving, playing through the tape I had recorded the previous evening. This time I would be present when Lunora heard it.
    Mme Charcot was standing by the glass doors. I parked in the court by the Rolls. As I walked over to her, I noticed how eerie the house sounded. All over it the statues were muttering to themselves, emitting snaps and clicks, like the disturbed occupants of a zoo settling down with difficulty after a storm. Even Mme Charcot looked worn and tense.
    At the terrace she paused. ‘One moment, Mr Milton. I will see if Miss Goalen is ready to receive you.’ She walked quietly towards the chaise longue pulled against the statue at the end of the terrace. Lunora was stretched out awkwardly across it, her hair disarrayed. She sat up irritably as Mme Charcot approached.
    ‘Is he here? Alice, whose car was that? Hasn’t he come?’
    ‘He is preparing his equipment,’ Mme Charcot told her soothingly. ‘Miss Lunora, let me dress your hair —’
    ‘Alice, don’t fuss! God, what’s keeping him?’ She sprang up and paced over to the statue, glowering silently out of the darkness. While Mme Charcot walked away Lunora sank on her knees before the statue, pressed her right cheek to its cold surface.
    Uncontrollably she began to sob, deep spasms shaking her shoulders.
    ‘Wait, Mr Milton!’ Mme Charcot held tightly to my elbow. ‘She will not want to see you for a few minutes.’ She added: ‘You are a better sculptor than you think, Mr Milton. You have given that statue a remarkable voice. It tells her all she needs to know.’
    I broke away and ran through the darkness.
    ‘Lunora!’
    She looked around, the hair over her face matted with tears. She leaned limply against the dark trunk of the statue. I knelt down and held her hands, trying to lift her to her feet.
    She wrenched away from me. ‘Fix it! Hurry, what are you waiting for? Make the statue sing again !’
     
    I was certain that she no longer recognized me. I stepped back, the spool of tape in my hand. ‘What’s the matter with her?’ I whispered to Mme Charcot. ‘The sounds don’t really come from the statue, surely she realizes that?’
    Mme Charcot’s head lifted. ‘What do you mean – not from the statue?’
    I showed her the tape. ‘This isn’t a true sonic sculpture. The music is played off these magnetic tapes.’
    A chuckle rasped briefly from Mme Charcot’s throat. ‘Well, put it in none the less, monsieur. She doesn’t care where it comes from. She is interested in the statue, not you.’
    I hesitated, watching Lunora, still hunched like a supplicant at the foot of the statue.
    ‘You mean –?’ I started to say incredulously. ‘So you mean she’s in love with the statue?’
    Mme Charcot’s eyes summed up all my naivety.
    ‘Not with the statue,’ she said. ‘With
herself
.’
    For a moment I stood there among the murmuring sculptures, dropped the spool on the floor and turned away.
     
    They left Lagoon West the next day.
    For a week I remained at my villa, then drove along the beach road towards the summer house one evening after Nevers told me that they had gone.
    The house was closed, the statues standing motionless in the darkness. My footsteps echoed away among the balconies and terraces, and the house reared up into the sky like a tomb. All the sculptures had been switched off, and I realized how dead and monumental non-sonic sculpture must have seemed.
    Zero Orbit
had also gone. I assumed that Lunora had taken it with her, so immersed in her self-love that she preferred a clouded mirror which had once told her of her beauty to no mirror at all. As she sat on some penthouse veranda in Venice or Paris, with the great statue towering into the dark sky

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