Tower of Terror
There's a dolly for moving furniture in there. Bring it here. Sandy, go to my office and tear down the drapes. Separate the nylon cord from the hardware, coil it up." Green waited until the young women left the office.
    "Now, Mrs. Forde," he said, turning to her last. "We plan an ambush."
    For the next half hour, they moved filing cabinets, shifted furniture, improvised booby-traps. Green briefed each woman on her role. "It's not necessary for us to kill them all. We don't have to kill any of them. We'll just give them a surprise, and that'll slow them down while we retreat. These three offices will be surprise number one. Then we go up into the ceiling and into the other offices. And the more time they give us before they come searching this floor, the more surprises we'll have ready for them..."
    Leaving Mrs. Forde in charge of the "surprise," Green roamed through the other offices of the fifty-third floor. He ripped down drapes, pasted sheets of computer printout against the plate glass. He wanted the police to know people were trapped on the floor.
    Perhaps rescue was possible. But he doubted they could be rescued before the police recaptured the Tower.
    In fact, it was with some relief that he doubted the value of any preparations to avoid the terrorists. The Tower had a hundred floors, a thousand offices, many thousands of rooms and cubicles. If the terrorists had hostages to guard, police to watch, demands to negotiate, they wouldn't have time to search the Tower. There would have to be a hundred terrorists.
    The preparations were busy-work, for the women and for him. Panic was their greatest enemy. If he gave the women plans to remember and positions to hold, they would have less time to be afraid.
    He knew from his tours in Vietnam that waiting created fear. When trouble came, it came fast. It was life or death. But in the hours or days or months of waiting, the imagination created terrors. He'd had some bad times over there, but some of the worst times were the nights without action, without contact, when there was only darkness and fear and imagination.
    Finding a transistor radio in one of the offices, he started back to the women. He paused to test Diane. Part of the "surprise" was her new position as sentry. She sat in the corridor where she could watch all the elevators. If anyone were to come onto the floor, either from the elevators or from the emergency stairs at each end of the corridor, she was to run into the office, set the plan in action.
    She saw him, started, but recognized him before she gave a false alarm. "You trying to scare me?" she asked, giggling nervously.
    "Take a break," he told her. "Switch with Jill or Sandy. Time to listen to the news."
    Back in his office, Green scanned the rooftops of the nearby buildings. Almost invisible in the shadows of a building's air-conditioning stacks, a black-clad sniper waited. "That's the police," said Green with assurance.
    Switching on the radio, he spun the dial. But they heard no reports of terrorists on Wall Street, or of shots fired at executives, or of a hostage drama in the financial district.
    "Don't they know what's happening to us?" Jill asked. "Are they keeping it a secret? What's going on down there that they have to keep it a secret from everyone?"
    Green sat her down in his desk chair. "Calm, kiddo. Be cool. Nothing secret's going on. Why don't you stay here at the window and let us know what happens down there? Just watch, okay?"
    It would be a long afternoon. He knew he could keep his staff calm for a few more hours; but what if the siege went on into the night? What if the terrorists cut the lights in the upper floors? What if the terrorists came searching for them in the pitch darkness of a blacked-out Tower? Who would keep
him
calm?
    * * *
    In the second-floor office of Tower security, Zuniga listened to a federal agent speaking calmly and patiently of negotiation. He leaned back in the swivel chair, held the phone's hand-set away from his

Similar Books

The Fifth Elephant

Terry Pratchett

Telling Tales

Charlotte Stein

Censored 2012

Mickey Huff