month premature and is delicate, querulous, and elfin; Tyler, his younger brother, was born two weeks late and has club feet and a prematurely sealed fontanel. Quentin suffers from chronic constipation, and Duncan is hyperactive: he will grab and shake a ficus tree or a floor lamp until the leaves drop or the bulb shatters. Rodney has reading problems, Kevin broke his wrist on the school jungle gym, and Keith is having a hard time adjusting to the arrival of his little sister, about whom so much sexist fuss is being made. And yet they all are dear, and half have learned to spell GRANDPA and send me, at their parents’ prompting, birthday and Christmas cards. It quickens my senile tears to think of them all marching—toddling, creeping—into the future, lugging my genes into the maelstrom of a future world I will never know. Such brave soldiers, in what kind of battle, for what noble cause? The doughboys who swarmed out of the trenches into clouds of mustard gas had geniuses for generals by comparison.
If love between my children and me has achieved, thanks to African wisdom, a certain settled, ironical, negotiable shape, that between my grandchildren and the apparitior that I form at the back of their tadpole eyeballs is pun chaos. I often try to imagine what they will feel when I die A faint apprehensive pang, tinged with the comic, as with those boys who sneak off to the baseball game on the excuseof a grandparent’s funeral. In their up-to-date eyes, I have lived in hopelessly old-fashioned, deprived times, so what can it matter, even to me, that I die?
Building the dollhouse for my daughter in the cellar—at the memory, my pen becomes impossibly heavy in my hand.
Walking back up the driveway with the newspaper this morning, I was suddenly conscious of the noise, through the sparse intervening woods, of the sea; it had a new, louder voice. There was a warm, snow-eating drizzle in the air, and a wet wind during the night had activated our outdoor burglar lights, I noticed when I awoke to urinate. The air carried the thrashing of the waves on the beach with the urgency of fresh news, the yowl of a creature new-born. The infant spring has its own acoustics, I noticed. Walking a bit around the property a few days ago, I had taken note of the heavy-headed little snowdrops, and the first pale edges of daylily leaves in the drab soil, but these signs bore no glad message for me. This breezy moist sea-roaring possibly did. Such marine thunder, slowly grinding up the continents, must have sounded thus in our planet’s earliest days, when the lifeless seas beat upon rocky shores now lost beyond all geological conjecture. This prezoic sea’s invasion of my ear somehow cheered me. I liked the fuss, the stirring up. I walk carefully these days, trying to avoid any thought that will tip me into depression.
Deirdre in her renovations, as she bravely tries to oust Gloria’s décor from a few corners of the house, sends me down to the barn with rugs and items of furniture she wants out of sight. Already, in this barn originally built to accommodate carriages and their horses, with troughs and stallsand a drain in the middle of a sloped floor for an Augean hosing, there is an accumulation of old bicycles and skis and collegiate lamps and chairs and hide-a-beds and cardboard boxes of textbooks that will never be consulted again. It is easier to keep these condemned objects here in a kind of life imprisonment than to steel oneself for execution out on the curb on trash-collection day. Such repositories, in garages and basements and closets and attics, pledge our faith in eternal return, in a future that holds infinite temporal opportunities for eventual reuse and rereading. Alas, time’s arrow points one way, toward an entropy when all seas will have broken down all rocks and there is not a whisper, a subatomic stir, of surge. So to fumble and stumble around looking for a cranny of space in which to lay an old Oriental
If love between my children and me has achieved, thanks to African wisdom, a certain settled, ironical, negotiable shape, that between my grandchildren and the apparitior that I form at the back of their tadpole eyeballs is pun chaos. I often try to imagine what they will feel when I die A faint apprehensive pang, tinged with the comic, as with those boys who sneak off to the baseball game on the excuseof a grandparent’s funeral. In their up-to-date eyes, I have lived in hopelessly old-fashioned, deprived times, so what can it matter, even to me, that I die?
Building the dollhouse for my daughter in the cellar—at the memory, my pen becomes impossibly heavy in my hand.
Walking back up the driveway with the newspaper this morning, I was suddenly conscious of the noise, through the sparse intervening woods, of the sea; it had a new, louder voice. There was a warm, snow-eating drizzle in the air, and a wet wind during the night had activated our outdoor burglar lights, I noticed when I awoke to urinate. The air carried the thrashing of the waves on the beach with the urgency of fresh news, the yowl of a creature new-born. The infant spring has its own acoustics, I noticed. Walking a bit around the property a few days ago, I had taken note of the heavy-headed little snowdrops, and the first pale edges of daylily leaves in the drab soil, but these signs bore no glad message for me. This breezy moist sea-roaring possibly did. Such marine thunder, slowly grinding up the continents, must have sounded thus in our planet’s earliest days, when the lifeless seas beat upon rocky shores now lost beyond all geological conjecture. This prezoic sea’s invasion of my ear somehow cheered me. I liked the fuss, the stirring up. I walk carefully these days, trying to avoid any thought that will tip me into depression.
Deirdre in her renovations, as she bravely tries to oust Gloria’s décor from a few corners of the house, sends me down to the barn with rugs and items of furniture she wants out of sight. Already, in this barn originally built to accommodate carriages and their horses, with troughs and stallsand a drain in the middle of a sloped floor for an Augean hosing, there is an accumulation of old bicycles and skis and collegiate lamps and chairs and hide-a-beds and cardboard boxes of textbooks that will never be consulted again. It is easier to keep these condemned objects here in a kind of life imprisonment than to steel oneself for execution out on the curb on trash-collection day. Such repositories, in garages and basements and closets and attics, pledge our faith in eternal return, in a future that holds infinite temporal opportunities for eventual reuse and rereading. Alas, time’s arrow points one way, toward an entropy when all seas will have broken down all rocks and there is not a whisper, a subatomic stir, of surge. So to fumble and stumble around looking for a cranny of space in which to lay an old Oriental
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