toward the Angrez woman reaching for Kiran’s hand.
The woman walked like a goat. She was too eager. Maryam had seen it before, good-hearted foreigners wanting to be friendly with local folk. They often selected the children, as that woman did now. Perhaps these Angrez needed to feel differently about themselves when they came all the way across the seas and all the way up the glacier to see the lake. She was not unfamiliar with the need. The lake seemed to inspire it. When you looked in the mirror of its surface you wanted to see something you wanted to see. And Maryam had seen the two looking in the lake, the friend of Irfan and the woman, when they first arrived. Though she was too far away to know, she took a guess. They were pleased with whatever else the lake had given.
Maryam also wanted to see something else whenever she peered inside, though she could never say what. Still or ruffled, the water’s surface only heightened her desire but never sated it. Perhaps it was because she came—two, maybe three thousand years ago—from a landlocked sea. If a sea has nowhere to go, it must go in circles, like this lake at the foot of Malika Parbat, churning round and round in a bowl, the clouds reflected in dizzying speed, stirring up some limitless need. Yes, it was like that, she thought, watching Kiran chase her goat up a hill while the woman who walked like a goat chased her. In Maryam there was no simple need, such as the need to be charitable with the children of the poor. She had nothing to repent, or correct, really. It was more the need to, to … She frowned, unable to speak the word, or even put her finger on it.
She went back to fingering her braid, back to thinking of the cave, the one that could change shape.
If her grandmothers had once sheltered in it on their way down from the steppe, earlier this year, her children had sheltered in it on their way up from the plains. The cave was low and stained black from a million fires, including her own. But only she knew about that—she, and Ghafoor. The man who first showed her the cave, telling her it led all the way to Tashkent. She shook her head. No, she would not think of him now.
Her husband believed the cave was unsafe. Instead of becoming saints, the men who slept in its bowels became thieves. They saw the telltale sparkle in the seams of the rock and, over time, had scraped it clean. Crude attempts at holding the ceiling up still remained; wooden pillars were jammed haphazardly everywhere across the uneven floor. Her children had played with the pillars, shaking them like salt. She let them. She knew the ceiling would hold. They asked for the story every spring, on their way up to the lake, the story of Prince Saiful Maluk and Princess Badar Jamal. If it rained and they needed to step into the cave for a time, as had happened this year, the story grew even more magical because it grew even more real:
this
was the cave that had cradled the lovers as they fled the terrible jinn who lived by the lake. And when at last her family had continued on their way, a thirsty herd lowing and bleating beside them, shepherded by two gaddi dogs, when they had reached the lake this April, as on every April, the story became even more deliciously terrible:
this
was the jinn’s lake. He lived along its shore
—this
shore!
But he had never hurt them, the jinn. Not in all the springs and summers they had camped at Malika Parbat’s feet. He had blessed the lake where the fairies came to bathe at full moon. He had blessed these hills where Maryam could roam as freely as the goats and horses. He had blessed the peak of Malika Parbat, who was a pari khan, a ruler of all fairies, and who entrusted him with the task of keeping the fairies in check. He had blessed Maryam’s secret shrine too, so that Maryam could pray undisturbed in its womb. He had even blessed her taste buds, so that everything here tasted true, the fruit and the honey.
Then why the misgivings? Perhaps it
Vivian Cove
Elizabeth Lowell
Alexandra Potter
Phillip Depoy
Susan Smith-Josephy
Darah Lace
Graham Greene
Heather Graham
Marie Harte
Brenda Hiatt