âWho said?â he asked.
âMy mother has spoken to your mother,â Olive answered. âAnd your mother says that I can come to play at your house once a week if I like. So I will.â
âBut I didnât ask you,â said Bertie.
âNo,â said Olive. âBut that makes no difference. Your mummy didâand thatâs what counts.â She paused. âAnd weâre going to play house.â
21. Pat Experiences a Moment of Brutal Honesty
Bruce had been gone a good hour, but Pat was still smarting from her encounter with her newly returned former flatmate. Much of her anger focused on the fact that she had not responded adequately to his unpleasant story of his London experiences; didnât-kiss-and-still-told was in her mind every bit as bad as kiss-and-tell. There was so much she could have said which would have indicated her disgust over his insensitive behaviour, so much, but, as was so often the case, the really pithy comments, those brilliant
mots justes
that might have deflated him, only occurred to her after he had left.
And then she wondered whether anything could ever deflate Bruce, such was the sheer Zeppelin-scale volume of his self-satisfaction. At least their brief meeting had convinced herâif conviction were neededâthat she disliked him intensely, and yet, and yetâ¦when he had perched on her desk, uninvited, she found herself unable to ignore the brute fact of his extreme attractiveness. Bruce was, quite simply, devastatingly good-looking, an Adonis sent down to live among us. And the fact that she even noticed this worried her. She had already had a narrow escape with Wolf, who had similarly dazzled her, and here she was looking at Bruce again in that way. Am I, she wondered, one of those people who fall for the physically desirable, irrespective of what they are like as people? In a moment of brutal honesty, she realised that the answer was probably: yes, I am. It was a bleak conclusion.
She thought of Matthew, solid, dependable, predictable Matthew. These three epithets said it all, but they were words which had no excitement in them, no thrill. And yet when one compared Matthew with Bruce, Matthewâs merits were overwhelming. But then again, there was the distressed-oatmeal, the crushed-strawberry factorâ¦
The door of the gallery opened and Pat turned round. A man had entered the gallery, a largish man of rather elegant bearing, wearing grey slacks and a blazer, no tie, but a red silk bandanna tied around his neck. He sported a jaunty mustache. He smiled at Pat and gestured in the direction of the paintings. âDo you mind? May I?â
âOf course. Please.â
He nodded to her in a friendly way and made his way across the gallery to stand in front of one of Matthewâs recently acquired MacTaggart seascapes. Pat watched him from her desk. Some people who came into the gallery were merely passing the time, with no intention of buying anything; this man, though, with his urbane manner, had a different air about him.
He moved closer to one of the MacTaggarts and peered at a section of the large canvas. Two children were sitting on the edge of a wide, windswept beach. The children were windswept too, their hair ruffled. They were playing with the sand, which streamed away from their hands, caught in the breeze, in thin lines of gold.
The man turned round and addressed Pat across the floor. âCan you tell me anything about this?â
Pat rose from her desk and walked across to join him. âItâs a MacTaggart,â she said. âDo you know about him?â
âNot much,â said the man. âBut I do know a little. I like his work. Thereâs a strange air about it. Something rather wind-blown, donât you think?â
Pat agreed. âIt reminds me of places like Tantallon,â she said. âOr Gullane beach, perhaps. That could be Fife on the other side of the water. Just there. Thereâs
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