of you.â
âWhat can I say? Pity brings out the best in me.â
âDo you want me to give Mr. Friday a message for you?â
âThatâs all right. Iâll see him later.â I began my careful limp back the way I came.
âThereâs a shortcut.â She took two steps toward a door on the other side of the room and offered me a wide, off-kilter smile. I was overreacting. She wasnât making me feel unwelcomeâI was.
âThanks,â I told her, then I exited through the door.
Minnieâs shortcut put me in the hallway outside the administrative offices. It was separated from the rehearsal halls by a swinging door. Iâd assumed we werenât welcome back there, but it was indeed a faster way to get from where I was to where I was going.
âWhat time will you be out of here tonight?â A low voice leaked into the corridor and planted me where I stood. The speaker had a slight lisp, as though he were being forced to talk while clenching a pencil between his teeth. It had to be Garvaggio and his omnipresent cigar.
âBy fiveâsix at the latest.â
âI donât know if thatâs good enough, Walt.â So he was talking to Friday. So much for the phone call. âMy guysâthey donât seem to trust you so much anymore. After the last timeâ¦â
âIt was a mistake, Vinnie. It happens.â
âNot in our business. When the space is ours, itâs ours.â
âCanât we talk about this later? Iâve got a rehearsal to get to.â
âThere wonât be a show if you donât hear me out. Get it? Iâm going to need the building on Thursday no later than five thirty.â
âImpossible. Weâre bringing the dancers in. Things are supposed to run late.â
âThen youâre going to have to move your rehearsal, arenât you? If we want the space on Thursday at five, itâs happening on Thursday at five.â
Something in the office hit a hard metal surface, sending a hollow boom through the corridor. I couldnât tell if it was Walter Fridayâs head or his hand. âI canât keep this up, Vinnie. I canât be running a show with your people coming in and out of here.â
âThatâs the deal we made.â
âOne of the girls is bound to see something. Your friends didnât do such a good job cleaning up last time.â
âIf youâre that worried, Walt, maybe we should close down this show here and now.â
âI canât do that!â
âBut I can, get it? My job isnât to keep you happyâyour job is.â
Friday muttered something under his breath before slipping out the door. I flattened myself against a wall and prayed for invisibility. Fortunately, he was in such a tizzy that I couldâve hit him with a sledgehammer and he wouldnât have noticed. As soon as he was out of the corridor, Garvaggio started talking again. The conversation this time was one-sided. He was on the phone.
âHowâs our friend? Ainât that a shame. Did you let him know that as soon as heâs out weâll be paying him a visit? Good. Good. Well, he should be scared. Go back tomorrow and make the point twice as hard.â
The phone slammed into the base. I left the wall and limped toward my destination. I was almost past the swinging doors when a voice called after me.
âYou lost, sweetheart?â Vinnie Garvaggio stood in all of his obese glory, the cigar still firmly clamped between his teeth. Despite the ring of smoke that surrounded him, he had a sweet, fresh smell. Never had I seen a dress shirt that was so white.
âI got a bum knee and was told there was a shortcut to the dance chorus rehearsal.â
In his hand was a piece of bread so heavily buttered the middle of it had started to sink. He used it to point me in the right direction. âThrough those doors.â Then he winked at me, disappeared
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