Sib Beaudry tied to a block of ice. Over.â
âA block of ice? Over.â
âSib had some ice sent up to cool his soft drinks. He claims Pilkie pulled a knife on him. But we think Pilkie bluffed his way out with a piece of flatware. Over.â I grinned at the thought of Sib tied to a block of ice, but the sound of dog claws scratching the floor brought me up short. Joe began to bark while Mairzy, who couldnât see very well, circled my fatherâs coat, sniffing my bare feet.
âRob, I have to go,â my father said. âIâll run over today and calm everyone down.â
âThanks, Morley. Over and out.â
My father shut off the radio and stood up. âIs that you in there?â
I stepped out of my hiding place holding out my envelope. âI have the composition ...â
âYou mean you have a composition,â Morley replied.
âWell, I only have the first page of it.â
âGive it to me when you finish then,â he said.
âI promise. Will John get caught?â
âHard to say. Listen, Mary. Donât mention Pilkieâs knife to Sal or your aunt. Do you understand?â
âI promise.â
âThatta girl.â He walked out, cuffing the side of my cheek with the back of his hand. Joe and Mairzy scrambled after him. Downstairs, in the kitchen, the radio announcer was talking about the hockey killerâs âelopement,â the old-fashioned word the hospital used to describe a patientâs escape. The announcer repeated the story of Sib tied to a block of ice. âI guess Pilkie thought his jailor needed cooling off,â he chortled. âWell folks, better bolt your doors tonight. Weâre not safe in our beds. The hockey killer is on the loose again!â
My aunt exclaimed: âNot safe in our beds! Sal, will you go and stay on the Beaudry farm?â
âIâll be safe here,â Sal said. âJohn wonât tangle with Doc Bradford.â
I couldnât hear my auntâs answer and then someone, likely Sal, turned off the radio. I looked out the window, expecting to see people running screaming out of their homes. But there was no one on the street except the postman. And when I listened for the siren at the hospital, which sounded if a criminal escaped, the only noise was the rustling of the maples outside the storage room window.
TWO HOURS LATER, MY AUNT and I said goodbye to Morley on the back steps.
âWill you come to Petrolia tomorrow?â I asked my father. He had on his Other Worldly Stare (i.e., the raised eyebrows that expressed surprise and bewilderment). Sal claimed Morley looked like that when somebody was dying and he was trying to figure out how to save his patientâs life.
âIâll have to see, Mary.â
âWill you phone me in Petrolia?â
He nodded, but I knew he would forget. Per usual, Morley often forgot what I asked him. Per usual, Morley was Morley. It didnât matter. I was on my holidays and John was roaming scot-free in the hills of Brebeuf County.
âMorley, do you think we will get through the road block?â my aunt asked.
âChief Doucette will let you through. Just donât pick up any hitchhikers. It might be Pilkie in disguise.â
âThatâs not funny,â my aunt said as she slipped into the front seat of our Ford station wagon. She put
The Face of War
by Martha Gellhorn on the floor near her feet and rolled down the window. Her purse, bulging with Old Macâs letters, rested against her hip.
âGoodbye, Morley,â my aunt called.
âDrive safely,â my father answered. He looked sad, standing on the back steps by himself. I felt sad, too. We were abandoning Morley, although the truth was he wouldnât put his work aside and come with us the way I wanted.
âMorley doesnât want us to go,â I told my aunt.
She laughed. âMary, other children donât call their parents by
Theresa Meyers
Jacqueline Druga
Abby Brooks
Anne Forbes
Brenda Joyce
Chelsea Camaron, Ryan Michele
Amanda Bennett
Jocelyn Stover
Dianne Drake
Julie Corbin