true of donations. Christopher did wish to help us, but we had to weigh this against his request to come on board as a director.â
âSo there were strings attached.â
It was the obvious conclusion. Drayton wanted more than the indulgence of a passing interest in a history entirely unrelated to himself. He wanted a role in directing the museum itself.
Rachel looked through the windows to the courtyard. Maybe it wasnât the museum heâd had an interest in. Heâd chosen to live in an unprepossessing home on a pretty street with magnificent views. Maybe what he wanted was the house.
If Mink were no longer librarian, maybe a man of his independent means could talk his way into some form of guardianship.
House, kids, adulation, and Melanie.
The perfect life.
She changed tack.
âDid you see Mr. Drayton on the Bluffs on the night of his death?â
âNo.â She answered exactly as Nathan Clare had. âYou canât see the path to the Bluffs from these windows.â
But was it true? Rachel would have to get out there and walk it to discover just what could be seen of the museum and Winterglass from the Bluffs.
If everyone had liked Chris Drayton and no one had seen him on the night of his death, what did his death really signify? And yet, she couldnât shake the feeling that Mink was holding something back. Perhaps an affair with Drayton. Was she the reason heâd dragged his feet about Melanieâs plans for an over-the-top wedding? Hadley and Riv were whispering to each other across the long table, the boyâs hand caressing the girlâs neck, another gesture Hadley ignored. She was watching the three of them with canny, glittering eyes.
The conversation was at a dead end. Unless Khattak had something to offer, Rachel couldnât think of anything else to add that seemed remotely connected to Draytonâs death. Unless she simply came out and stated: âDo you have any reason to suspect that Christopher Drayton was a Bosnian Serb war criminal?â
She was tempted, but she didnât want to tip her hand too soon. It was hardly something Drayton would have advertised if he were Dra ž en KrstiÄ. And that was another thingâwhat rational reason could a man accused of exterminating Muslims and eradicating Bosnian history have for his attraction to the Andalusia museum? Werenât the two ideas fundamentally opposed? One a civilization of pluralism and tolerance, the other a culture of hate?
If sheâd understood Minkâs little lecture properly, the Andalusians had created something beautiful out of their divergent identities. In the hands of the Bosnian Serb Army, differenceâwhether Muslim, Catholic, or Jewâhad meant destruction and death.
There were no personal items in the museum area of the house that could offer further insight into the character of Mink Norman and her association with Christopher Drayton. Rachel tried anyway.
âYou mentioned your sister, Ms. Norman. Where is Sable now?â
Mink smiled with genuine warmth at the mention of her sister.
âThe music you see everywhere? Itâs Sableâs. She studies piano at the Mozarteum University of Salzburg. Sheâll be home again for Christmas break.â
One sister a librarian, one sister a musician. An educated family. Rachel envied their opportunities.
âYour parents?â
âItâs just the two of us, Iâm afraid.â
Another field of inquiry dried up. The only sensible thing to do was to begin a comprehensive investigation into Draytonâs real identity. Without that information, there was little point to harassing those Drayton had known passingly or well.
The music reminded her of Winterglass and Nathan Clare. She mentioned him to Mink, watching her guarded face.
âCome on,â Riv said from his side of the table, his dictionary abandoned, one hand on Hadleyâs knee. âEveryone from here to Timbuktu knows
William Dietrich
Mercedes Lackey
Barbara Cartland
Mindy Wilde
Artis Henderson
Linda Rios Brook
Brad Latham
George Wier, Billy Kring
Lara Swann
Paul Fraser Collard