The Thing on the Doorstep and Other Weird Stories by H. P. Lovecraft Page B

detectives arrived. Allen’s destruction or imprisonment—or Curwen’s, if one might regard the tacit claim to reincarnation as valid—he felt must be accomplished at any cost, and he communicated this conviction to Mr. Ward as they sat waiting for the men to come. They were downstairs this time, for the upper parts of the house were beginning to be shunned because of a peculiar nauseousness which hung indefinitely about; a nauseousness which the older servants connected with some curse left by the vanished Curwen portrait.
    At nine o’clock the three detectives presented themselves and immediately delivered all that they had to say. They had not, regrettably enough, located the Brava Tony Gomes as they had wished, nor had they found the least trace of Dr. Allen’s source or present whereabouts; but they had managed to unearth a considerable number of local impressions and facts concerning the reticent stranger. Allen had struck Pawtuxet people as a vaguely unnatural being, and there was an universal belief that his thick sandy beard was either dyed or false—a belief conclusively upheld by the finding of such a false beard, together with a pair of dark glasses, in his room at the fateful bungalow. His voice, Mr. Ward could well testify from his one telephone conversation, had a depth and hollowness that could not be forgotten; and his glance seemed malign even through his smoked and horn-rimmed glasses. One shopkeeper, in the course of negotiations, had seen a specimen of his handwriting and declared it was very queer and crabbed; this being confirmed by pencilled notes of no clear meaning found in his room and identified by the merchant. In connexion with the vampirism rumours of the preceding summer, a majority of the gossips believed that Allen rather than Ward was the actual vampire. Statements were also obtained from the officials who had visited the bungalow after the unpleasant incident of the motor truck robbery. They had felt less of the sinister in Dr. Allen, but had recognized him as the dominant figure in the queer shadowy cottage. The place had been too dark for them to observe him clearly, but they would know him again if they saw him. His beard had looked odd, and they thought he had some slight scar above his dark spectacled right eye. As for the detectives’ search of Allen’s room, it yielded nothing definite save the beard and glasses, and several pencilled notes in a crabbed writing which Willett at once saw was identical with that shared by the old Curwen manuscripts and by the voluminous recent notes of young Ward found in the vanished catacombs of horror.
    Dr. Willett and Mr. Ward caught something of a profound, subtle, and insidious cosmic fear from this data as it was gradually unfolded, and almost trembled in following up the vague, mad thought which had simultaneously reached their minds. The false beard and glasses—the crabbed Curwen penmanship—the old portrait and its tiny scar— and the altered youth in the hospital with such a scar —that deep, hollow voice on the telephone—was it not of this that Mr. Ward was reminded when his son barked forth those pitiable tones to which he now claimed to be reduced? Who had ever seen Charles and Allen together? Yes, the officials had once, but who later on? Was it not when Allen left that Charles suddenly lost his growing fright and began to live wholly at the bungalow? Curwen—Allen—Ward—in what blasphemous and abominable fusion had two ages and two persons become involved? That damnable resemblance of the picture to Charles—had it not used to stare and stare, and follow the boy around the room with its eyes? Why, too, did both Allen and Charles copy Joseph Curwen’s handwriting, even when alone and off guard? And then the frightful work of those people—the lost crypt of horrors that had aged the doctor overnight; the starved monsters in the noisome pits; the awful