The Song of Achilles by Madeline Miller

myself, early in the mornings, when Achilles still slept, or in the afternoons, when he would practice his spear thrusts. I brought a flute with me, but rarely played it. Instead I would find a tree to lean against and breathe the sharp drift of cypress-scent, blown from the highest part of the mountain.
    Slowly, as if to escape my own notice, my hand would move to rest between my thighs. There was shame in this thing that I did, and a greater shame still in the thoughts that came with it. But it would be worse to think them inside the rose-quartz cave, with him beside me.
    It was difficult sometimes, after, to return to the cave. “Where were you?” he’d ask.
    “Just—” I’d say, and point vaguely.
    He’d nod. But I knew he saw the flush that colored my cheeks.
    T HE SUMMER GREW HOTTER , and we sought the river’s shade, its water that threw off arcs of light as we splashed and dove. The rocks of the bottom were mossy and cool, rolling beneath my toes as I waded. We shouted, and frightened the fish, who fled to their muddy holes or quieter waters upstream. The rushing ice melt of spring was gone; I lay on my back and let the dozy current carry me. I liked the feel of the sun on my stomach and the cool depths of the river beneath me. Achilles floated beside me or swam against the slow tug of the river’s flow.
    When we tired of this, we would seize the low-hanging branches of the osiers and hoist ourselves half-out of the water. On this day we kicked at each other, our legs tangling, trying to dislodge the other, or perhaps climb onto their branch. On an impulse, I released my branch and seized him around his hanging torso. He let out an ooph of surprise. We struggled that way for a moment, laughing, my arms wrapped around him. Then there was a sharp cracking sound, and his branch gave way, plunging us into the river. The cool water closed over us, and still we wrestled, hands against slippery skin.
    When we surfaced, we were panting and eager. He leapt for me, bearing me down through the clear water. We grappled, emerged to gasp air, then sank again.
    At length, our lungs burning, our faces red from too long underwater, we dragged ourselves to the bank and lay there amidst the sedge-grass and marshy weeds. Our feet sank into the cool mud of the water’s edge. Water still streamed from his hair, and I watched it bead, tracing across his arms and the lines of his chest.
    O N THE MORNING of his sixteenth birthday I woke early. Chiron had showed me a tree on Pelion’s far slope that had figs just ripening, the first of the season. Achilles did not know of it, the centaur assured me. I watched them for days, their hard green knots swelling and darkening, growing gravid with seed. And now I would pick them for his breakfast.
    It wasn’t my only gift. I had found a seasoned piece of ash and began to fashion it secretly, carving off its soft layers. Over nearly two months a shape had emerged—a boy playing the lyre, head raised to the sky, mouth open, as if he were singing. I had it with me now, as I walked.
    The figs hung rich and heavy on the tree, their curved flesh pliant to my touch—two days later and they would be too ripe. I gathered them in a carved-wood bowl and bore them carefully back to the cave.
    Achilles was sitting in the clearing with Chiron, a new box from Peleus resting unopened at his feet. I saw the quick widening of his eyes as he took in the figs. He was on his feet, eagerly reaching into the bowl before I could even set it down beside him. We ate until we were stuffed, our fingers and chins sticky with sweetness.
    The box from Peleus held more tunics and lyre strings, and this time, for his sixteenth birthday, a cloak dyed with the expensive purple from the murex ’s shell. It was the cape of a prince, of a future king, and I saw that it pleased him. It would look good on him, I knew, the purple seeming richer still beside the gold of his hair.
    Chiron, too, gave presents—a staff for