this. And yet the sound of it stirs me, as martial music always will, regardless of who is playing it: thereâs a glamour to it, an urgency, it always makes your heart pound. I find I am walking in time, my body responding to the beat, and this troubles me, as though I am conceding something.
On the way back from town, I drop in on Gwen at Elm Tree Farm.
We sit at her wide scrubbed table. Her kitchen has a scent of baking, so warm and welcoming, like arms wrapped around you. On the table, there are sweet peas in a white china jug; the flowers are almost over, and the jug stands in a lapping pool of silken fallen petals.
We drink tea and eat Gwenâs homemade gâche, which is stuffed with sultanas and candied peel and has a thin, glittery crust of sugar on top. Every Guernsey housewife makes it, and I learned how when I came here, but my gâche has never tasted half as delicious as Gwenâs.
I lick the last trace of fragrant sugar from my hand.
âMmm. Thatâs so good .â
âMake the most of it, Viv,â she says. âThere wonât be all that much more of that, Iâm thinking. I had to queue for the sugar. Weâll all have to tighten our belts.â
âYes, I suppose so.â
I havenât really thought this throughâwhere our food is going to come from. But there are no boats from England, and twice as many people on our island now.
âI suppose theyâll have to get in supplies from occupied France,â she says. âBut the Germans will take all the best stuff, you can be certain of that. Anyone with a bit of land is luckyâitâs the folks in the town who will suffer. Youâll be in clover, Viv, with that nice big garden youâve got.â
âYes. I suppose I ought to start working on it.â
I think of digging up my roses and planting parsnips there. A little sadness catches at my sleeve.
We talk about our children. I tell her about Blancheâs job with Mrs. Sebire, and the peaches.
âThatâs a really good place to be working, for the times that are coming,â she says.
âAnd what about Johnnie? I know you were worried,â I say.
âOh, well. You know . . .â She smiles, but not with her eyes.
âGwen, tell me.â
She gives a slight mirthless laugh. âYou always know what Iâm thinking, Viv.â
Thereâs a thread of disquiet wrapped around her voice. Anxiety snags at me. I wait for her.
âThe thing isâhe spends an awful lot of time with that Piers Falla,â she says.
I feel a rush of relief, that itâs nothing worse than this. Piers Falla is an odd, awkward lad; I remember him from church, when he was younger and went to Matins with his parents. I think of his face, which has the sharpness of a kestrel, his gaze, which looks right into you, and his twisted body, the way he drags his right foot. When he was little, he got in the way of a scythe; they said he was lucky to live. I donât understand why his friendship with Johnnie should be so troubling to Gwen.
âHeâs a funny lad, Piers. To be honest, I donât quite like him,â she says.
âI donât really know him that well,â I tell her.
âHeâs too intense,â says Gwen. âHe seems too old for his years.â
âI suppose his life hasnât been exactly easy,â I say.
âWell, youâve got to feel sorry for him, of course. And I know heâs really angry that he couldnât join up. I mean, he tried, but they wouldnât consider him. Heâs old enoughâheâs that little bit older than Johnnie. But I think they just took one look at him. Johnnie said he was distraught.â
âYes. Poor lad. He would be . . .â
We sit quietly for a moment. A fly crackles against the window, with an ominous sound, like a pan on the stove boiling dry.
Gwen stirs.
âYou know what I think, Viv,â she says. âThis
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