The Secret Life of Salvador Dali

The Secret Life of Salvador Dali by Salvador Dalí

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Authors: Salvador Dalí
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effective as might have been expected. Quite to the contrary, my inattention remained so incorruptibly anchored to my pleasure that they began to despair of my case.
    One day at dinner, my father created a general consternation byreading aloud a report from my teachers. They alluded to my exemplary discipline and gentleness; they mentioned approvingly that I would spend my recreation periods far from the noisy games, lost in the contemptation of a colored picture (I knew which one) 2 found in a chocolate wrapping. But they concluded by saying that “I was dominated by a kind of mental laziness so deeply rooted that it made it almost impossible for me to achieve any progress in my studies.” I remember that my mother wept that evening. The truth is that after almost a whole additional year of school I had not even learned one-fifth of what all my schoolmates had already devoured during this time. I was forced to remain indefinitely in the same class while the others scurried ahead with the gluttonous frenzy of competition to seize new rungs on the slippery and viscous ladder of hierarchy. My isolation became such a systematic fixed idea that I pretended not to know even the things which, in spite of myself, eventually and little by little became incorporated in my mind. For instance, I still wrote nonchalantly, with thousands of blots and characters of bewildering irregularity. This was done on purpose, for I really knew how to do it well.
    One day when I was given a notebook with very silky paper I suddenly discovered the pleasure of writing properly. With a pounding heart, after wetting the new pen-point with my saliva for several minutes, I began, and proceeded to execute a marvel of regularity and elegance, winning the prize in penmanship, and my page was framed and put under glass.
    The astonishment which the sudden, miraculous change in my handwriting produced encouraged me in the path of mystification and simulation, which were my first methods of “social contact.” In order to avoid a recitation when I felt that the Brother would inevitably question me during the lesson, I would leap up and fling away my book which for the past hour I had been pretending to study with the deepest attention, though I really had not read a single line.
    After this act which appeared to proceed from an unshakable decision, I would stand up on the bench, then get down again as if seized with panic and while protecting myself with my arms extended before me from some invisible danger, I would fall back on my desk, my head pressed between my hands, seemingly shaken with fright. This pantomime won me the permission to go out all by myself and walk in the garden. When I returned to the classroom I was given a drink of hot herb tea with highly aromatic drops that smelled of pine oil. My parents, who had apparently been informed of this false hallucinatory phenomenon, must have recommended to the superiors of the school redoubled and very special attentions to my person. Thus a more and more exceptional atmosphere surrounded my school days and finally the superiors ceased altogether to attempt to teach me anything.
    I was, moreover, frequently taken to the doctor’s (the same one whose glasses I had broken several years before when he was about to pierce my sister’s ears). At this time I was subject to real dizzy spells after having run up or down the stairs too fast. Also I had frequent nosebleeds, and was periodically confined to my bed with angina. This always took the same course: one day of fever and a week of convalescence with slightly abnormal temperatures. During this time I would perform my natural functions in my room, after which a purple-colored Armenian paper redolent of incense would be burned to remove the bad smell; sometimes the Armenian paper ran out and then they would burn sugar, which was even more delicious. I loved to have angina! I would look forward impatiently to its recurrence—what paradises those

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