The Sealed Letter
relief. (He doesn't share her talents for invention.)
    Fido rings for his coat, cane, and hat, and walks him to the stairs.
    When she comes back into the room, Helen's arranged herself in a frail position on the sofa, face in one hand. Fido sits down beside her, very quietly, and asks "Is it—by any chance—over?"
    "I tried," says Helen through her fingers. "I marshalled all my arguments. I gave him no hope. But the insane persistence of the man—"
    "He must be eaten up with love for you," says Fido in a choked tone.
    She nods. "I don't know why."
    "Oh Helen..."
    After a minute, she adds, "Little by little, he will realize I mean what I say. You must bear with me, Fido. Keep on being my rock."
    The woman's solid arms wrap around her, and for a moment Helen feels dizzy, because both versions are true: in the back of her head she's laughing at the spinster's naïveté, and yet she'd like nothing better than for Fido to sort out her life for her, somehow. Helen's acting and she's sincere, at the very same moment; she wants to summon a cab and rush around the corner to join her lover, and she wants to stay here all evening, rocked like a baby in these strong arms. "I'd better go," she says at last, rousing herself, pressing the back of her hands to her eyes. "Harry likes dinner at seven on the dot," she adds. "He claims, a quarter-hour later and he's afflicted by heartburn!"
    When Anderson climbs into the cab on Gordon Street, the warm September breeze rushes against their faces. He reaches out with one hand to draw the pleated leather curtains that close off the front of the hansom.
    Helen restrains his arm. "What are you doing? On such a beautiful evening too—we may as well hang a banner from the roof."
    He chuckles, and leaves the leather half-closed. "Where to?"
    "Anywhere but home," she finds herself saying.
    His grin is that of a child surprised with a present.
    "I can't bear to go into that mausoleum and shut the door. Take me somewhere entertaining, won't you?"
    "Somewhere sensational, as your girls are always saying?"
    But she doesn't want to think about Nan and Nell, already putting on their white pantaloons and short crinolines for dinner with their parents. She'll have to send a telegram to explain her absence.
    Anderson flips open the little trapdoor in the roof. "Driver, to the moon!"
    "What's that, sir?" the man behind them calls over the clatter of hooves.
    "Seems the lady doesn't want to go to Belgravia, after all," Anderson tells him.
    "What about the Cremorne Pleasure Gardens?" Helen asks in a low voice. "I've never been. Unless it's not the thing?"
    "No, no, this early in the evening it should be perfectly all right," says Anderson. "Chelsea, driver: the Cremorne, if you please."
    Belatedly, Helen wonders whether the Cremorne has other associations for her lover. Has he gone before, with other ladies? She tells herself to stop fretting. If she's to risk Harry's temper by missing dinner, by God she means to enjoy the escapade.
    ***
    There's a telegraph station in the Gardens, for receiving bookings. Helen sips a sherry while Anderson goes in with her message: Miss F has begged me to stay and dine with Rev & Mrs F. She congratulates herself on its brilliance and brevity: now Harry will picture her discussing the state of the Church with Fido's stout, unsmiling parents, up from their Surrey parish in all their tedious glory.
    The day's generous light is cooling; the trees throw down long shadows. A steamboat emerges from Battersea Bridge and draws up at the landing station; Helen watches black coats, salmon skirts, turquoise wraps spill from its crammed decks. The Cremorne seems to attract all sorts: she notices some swells in evening capes, but also country families (the females in their red petticoats) and, of course, the clerk brigade. At the Chinese bandstand, the orchestra's playing Tales from the Vienna Woods, rather too fast for Helen's taste. Her eyes pick out Swiss chalets, miniature temples, and a

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