was lucky enough to marry into a big family of cowboys and Southern storytellers who would inspire any lover of tall tales and interesting yet profound characters. She is a full-time writer and pens inspirational fiction for both the general and Christian markets. Of all the things she loves about her job, she loves connecting with people, both real and imaginary, the most. More information about Lisa’s novels can be found at www.lisawingate.com .
When trouble blows in, my mind always reaches for a single, perfect day in Rodanthe. The memory falls over me like a blanket, a worn quilt of sand and sky, the fibers washed soft with time. I wrap it around myself, picture the house along the shore, its bones bare to the wind and the sun, the wooden shingles clinging loosely, sliding to the ground now and then, like scales from some mythic sea creature washed ashore. Overhead, a hurricane shutter dangles by one nail, rocking back and forth in the breeze, protecting an intact window on the third story. Gulls swoop in and out, landing on the salt-sprayed rafters—scavengers come to pick at the carcass left behind by the storm.
Years later, after the place was repaired, a production company filmed a movie there. A love story.
But to me, the story of that house, of Rodanthe, will always be the story of a day with my grandfather. A safe day.
When I squint long into the sun off the water, I can see him yet. He is a shadow, stooped and crooked in his overalls and the old plaid shirt with the pearl snaps. The heels of his worn work boots hang in the air as he balances on the third-floor joists, assessing the damage. Calculating everything it will take to fix the house for its owners.
He’s searching for something on his belt. In a minute, he’ll call down to me and ask for whatever he can’t find. Tandi, bring me that blue tape measure , or Tandi Jo, I need the green level, out in the truck . . . I’ll fish objects from the toolbox and scamper upstairs, a little brown-haired girl anxious to please, hoping that while I’m up there, he’ll tell me some bit of a story. Here in this place where he was raised, he is filled with them. He wants me to know these islands of the Outer Banks, and I yearn to know them. Every inch. Every story. Every piece of the family my mother has both depended on and waged war with.
Despite the wreckage left behind by the storm, this place is heaven. Here, my father talks, my mother sings, and everything is, for once, calm. Day after day, for weeks. Here, we are all together in a decaying sixties-vintage trailer court while my father works construction jobs that my grandfather has sent his way. No one is slamming doors or walking out them. This place is magic—I know it.
We walked in Rodanthe after assessing the house on the shore that day, Pap-pap’s hand rough-hewn against mine, his knobby driftwood fingers promising that everything broken can be fixed. We passed homes under repair, piles of soggy furniture and debris, the old Chicamacomico Life-Saving Station, where the Salvation Army was handing out hot lunches in the parking lot.
Outside a boarded-up shop in the village, a shirtless guitar player with long blond dreadlocks winked and smiled at me. At twelve years old, I fluttered my gaze away and blushed, then braved another glance, a peculiar new electricity shivering through my body. Strumming his guitar, he tapped one ragged tennis shoe against a surfboard, reciting words more than singing them.
Ring the bells bold and strong
Let all the broken add their song
Inside the perfect shells is dim
It’s through the cracks, the light comes in. . . .
I’d forgotten those lines from the guitar player, until now.
The memory of them, of my grandfather’s strong hand holding mine, circled me as I stood on Iola Anne Poole’s porch. It was my first indication of a knowing, an undeniable sense that something inside the house had gone very wrong.
I pushed the door inward cautiously,
When trouble blows in, my mind always reaches for a single, perfect day in Rodanthe. The memory falls over me like a blanket, a worn quilt of sand and sky, the fibers washed soft with time. I wrap it around myself, picture the house along the shore, its bones bare to the wind and the sun, the wooden shingles clinging loosely, sliding to the ground now and then, like scales from some mythic sea creature washed ashore. Overhead, a hurricane shutter dangles by one nail, rocking back and forth in the breeze, protecting an intact window on the third story. Gulls swoop in and out, landing on the salt-sprayed rafters—scavengers come to pick at the carcass left behind by the storm.
Years later, after the place was repaired, a production company filmed a movie there. A love story.
But to me, the story of that house, of Rodanthe, will always be the story of a day with my grandfather. A safe day.
When I squint long into the sun off the water, I can see him yet. He is a shadow, stooped and crooked in his overalls and the old plaid shirt with the pearl snaps. The heels of his worn work boots hang in the air as he balances on the third-floor joists, assessing the damage. Calculating everything it will take to fix the house for its owners.
He’s searching for something on his belt. In a minute, he’ll call down to me and ask for whatever he can’t find. Tandi, bring me that blue tape measure , or Tandi Jo, I need the green level, out in the truck . . . I’ll fish objects from the toolbox and scamper upstairs, a little brown-haired girl anxious to please, hoping that while I’m up there, he’ll tell me some bit of a story. Here in this place where he was raised, he is filled with them. He wants me to know these islands of the Outer Banks, and I yearn to know them. Every inch. Every story. Every piece of the family my mother has both depended on and waged war with.
Despite the wreckage left behind by the storm, this place is heaven. Here, my father talks, my mother sings, and everything is, for once, calm. Day after day, for weeks. Here, we are all together in a decaying sixties-vintage trailer court while my father works construction jobs that my grandfather has sent his way. No one is slamming doors or walking out them. This place is magic—I know it.
We walked in Rodanthe after assessing the house on the shore that day, Pap-pap’s hand rough-hewn against mine, his knobby driftwood fingers promising that everything broken can be fixed. We passed homes under repair, piles of soggy furniture and debris, the old Chicamacomico Life-Saving Station, where the Salvation Army was handing out hot lunches in the parking lot.
Outside a boarded-up shop in the village, a shirtless guitar player with long blond dreadlocks winked and smiled at me. At twelve years old, I fluttered my gaze away and blushed, then braved another glance, a peculiar new electricity shivering through my body. Strumming his guitar, he tapped one ragged tennis shoe against a surfboard, reciting words more than singing them.
Ring the bells bold and strong
Let all the broken add their song
Inside the perfect shells is dim
It’s through the cracks, the light comes in. . . .
I’d forgotten those lines from the guitar player, until now.
The memory of them, of my grandfather’s strong hand holding mine, circled me as I stood on Iola Anne Poole’s porch. It was my first indication of a knowing, an undeniable sense that something inside the house had gone very wrong.
I pushed the door inward cautiously,
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