The Right Stuff by Tom Wolfe

because it had ships. In the air age we were powerful because we had airplanes. Now the Communists have established a foothold in outer space."
The New York Times
, in an editorial, said the United States was now in a "race for survival." The panic became more and more apocalyptic. Nothing short of doom awaited the loser, now that the battle had begun. When the Soviets shot a Sputnik called
Mechta
into a heliocentric orbit, the House Select Committee on Astronautics, headed by House Speaker John McCormack, said that the United States faced the prospect of "national extinction" if it did not catch up with the Soviet space program. "It cannot be overemphasized that the survival of the free world—indeed, all the world—is caught up in the stakes." The public, according to the Gallup poll, was not all that alarmed. But McCormack, like a great many powerful people, genuinely believed in the notion of "controlling the high ground." He was genuinely convinced that the Soviets would send up space platforms from which they could drop nuclear bombs at will, like rocks from a highway overpass.
    The Soviet program gave off an aura of sorcery. The Soviets released practically no figures, pictures, or diagrams. And no names; it was revealed only that the Soviet program was guided by a mysterious individual known as "the Chief Designer." But his powers were indisputable! Every time the United States announced a great space experiment, the Chief Designer accomplished it first, in the most startling fashion. In 1955 the United States announces plans to launch an artificial earth satellite by early 1958. The Chief Designer startles the world by doing it in October 1957. The United States announces plans to send a satellite into orbit around the sun in March of 1959. The Chief Designer does it in January 1959. The fact that the United States went ahead and successfully conducted such experiments on schedule, as announced, impressed no one—and Americans least of all. In a marvelously morose novel of the future called
We
, completed in 1921, the Russian writer Evgeny Zamyatin describes a gigantic "fire-breathing, electric" rocket ship that is poised to "soar into cosmic space" in order to "subjugate the unknown beings on other planets, who may still be living in the primitive, condition of freedom"—all this in the name of "the Benefactor," ruler of "the One State." This omnipotent space ship is called the Integral, and its designer is known only as "D-503, Builder of the Integral." In 1958 and early 1959, as magical success followed magical success, that was the way Americans, the leaders even more so than the followers, began to look on the Soviet space program. It was a thing of misty but stupendous dimensions… the mighty Integral… with an anonymous but omnipotent Chief Designer… Builder of the Integral. Within the federal government and throughout the education bureaucracies rose a cry for a complete overhauling of American education in order to catch up with the new generation, the new dawn, of socialist scientists, out of which had come geniuses like the Chief Designer (Builder of the Integral!) and his assistants.
    The panic was greatly exacerbated by the figure of Nikita Khrushchev, who now emerged as the new Stalin in terms of his autocratic rule of the Soviet Union. Khrushchev was a type whom Americans could readily understand and fear. He was the burly, hearty, crude but shrewd farmboy capable of grinning with barnyard humor one moment and of tormenting small animals the next. After Sputnik 1 Khrushchev became the wicked master of mocking the United States for its incompetence. Two months after Sputnik 1 the Navy tried to launch the first American satellite with a Vanguard rocket. The first nationally televised
countdown
began… "Ten, nine, eight…" Then… "Ignition!" A mighty surge of noise and flames. The rocket lifts—some six inches. The first stage, bloated with fuel, explodes, and the rest of the rocket sinks into