your chapel door. My daughter Marie-Ange and I were returning from delivering bread to the boardinghouse kitchens. Weâre bakers, LeClerc the baker, thatâs us. The amount of bread these skinny students eat, youâd hardly believe itâbut, there, I suppose you would. Anyway, we were walking back toward St. Jacques and Antoine was running this way, toward us. Though he hadnât seen us. Marie-Ange called out to him, but just then a man coming toward us, that street porter, shouted, and I turned and saw a horse coming around the turn and galloping straight at Antoine. I yelled out to warn him and the porter jumped out and tried to frighten the horse and make it turn. Antoine dodgedâheâs very fast, that little oneâand I thought he was safe, butââ She shook her head and dropped her voice dramatically. âThe rider swerved and went after him! And pushed him down! Antoine fell and the man kept going, if you can believe it. I sent my little girl running to the college for help and I went to see how badly the child was hurt. But that son of a pig Guise got there first and warned me off.â
âThe rider swerved and went after the boy? Are you sure, madame?â
âAs sure as I stand here and hope for salvation!â
Charles turned to stare at the place where Antoine had fallen. âYou say the man reached for himâPère Guise saw that, too. He said the rider was trying to push the boy out of the way.â
âThen why didnât he try to stop the horse or turn it?â She frowned and her eyes opened wider. âUnless he was reaching out for the boy because he was trying to snatch him up and ride off with him!â She stepped closer, her eyes avid. âAnother thing I can tell you, he wore a mask!â
âA mask, madame?â Charles quickly reassessed his informant, remembering Guiseâs sneer at what heâd called her âlurid tale.â
She crossed her arms over her straining bodice. âI see you donât believe me. But I saw what I saw. I swear it. It was the kind of mask ladies wear when itâs cold. Or at Carnival. Butââ She looked expressively up at the sky. ââit is not cold, not today, anyway. And it is not Carnival. And he was not a lady.â She eyed Charles triumphantly, as though sheâd just bested him in a rhetorical display.
âDid the porter also see the mask?â
âIs he blind? Of course he did. And so did your mignon. But the porter will never tell you he saw it, now that your mignon has got hold of him.â She held a hand under Charlesâs nose and rubbed thumb and fingers together in the age-old sign for money.
Charlesâs head was beginning to spin. âPère Guise gave him money?â
Her shrug nearly took her ears off. âWhy did the porter run away before you could talk to him? And Guise does not like my version of the story at all, you heard him.â
âDid he offer you money to change your story, madame?â
Mme LeClerc spat again. âThat object knows better than to try his tricks with me.â
âMadame, Père Guise is Antoineâs godfather. Why would he pay the porter to lie about what happened?â
âWhy would the masked man ride the child down?â
Charles opened his mouth, then shut it. It was not the moment for a logic lesson. âDid you notice anything else about the man, madame? What was his horse like?â
âA rangy chestnut. Missing his manhood, if you know what I mean, poor thing.â She dimpled and Charles suddenly realized that she wasnât much older than he was. âThe horse was. About the man, of course, I couldnât say.â
Charles struggled to keep a straight face, thinking that the baker was a lucky man.
âThe riderâs hat was pulled down low.â She paused, watching the air, obviously seeing the whole thing happen again. âPlain and flat the hat was, a
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