The Positronic Man
the screen, listening to the lawyer for the Labor Federation pour forth his stream of horrors, he found himself wondering why anyone thought robots would want to supplant human beings or to relegate them to any sort of scrapheap.
    Robots were here to serve. It was their purpose. It was their pleasure, one might almost say. But even Andrew found himself wondering whether, as robots grew to be more and more like human beings, it might become so difficult to tell the one from the other that the humans, lacking the built-in perfection of robots, would indeed come to look upon themselves as a second-rate kind of creature.
    Eventually the tirade of the Labor Federation's spokesman ended. The screen dimmed and a brief recess was called. Then it was the turn of the speaker from United States Robots and Mechanical Men.
    Her name was Ethel Adams. She was a sharp-featured, taut-faced woman of middle years, who-probably not by any coincidence-bore a striking resemblance to the celebrated robopsychologist Susan Calvin, that great and widely revered scientific figure of the previous century.
    She did not indulge in any of the previous speaker's inflated rhetoric. She said simply and predictably that to grant Andrew's position would greatly complicate the ability of U.S.R.M.M. to design and manufacture the robots that were its main product-that if the company could be shown to be producing not machines but free citizens, it might be liable to all sorts of bewildering new restrictions that would critically hamper its work-that, in short, the whole course of scientific progress would be placed in needless jeopardy.
    It was, of course, the direct opposite of the first speaker's position. He had held up the advance of technology as something worthy of dread; she was warning that it might be placed in serious danger. But the contradiction was only to be expected, Stanley Feingold said to Little Miss and Andrew. The real weapons that were being used in today's struggle were emotions, not serious intellectual concepts.
    But there was one more speaker: Van Buren, the attorney who was there in person as the general representative of all those who had taken issue with Andrew's request. He was tall and impressive, with classic senatorial mien: the close-cropped graying hair, the costly suit, the magnificently upright posture. And he had an extremely simple argument to offer, one that did not in any way attempt to deal with emotional issues:
    "What it comes down to, your honor, is an issue so basic-so trivial, even-that I am not really sure why we are all here today. The petitioner, Robot NDR-113, has requested of his owner, the Honorable Gerald Martin, that he be declared 'free.' A free robot, yes, the first of his kind. But I ask you, your honor: what meaning can this possibly have? A robot is only a machine. Can an automobile be 'free'? Can an electronic screen be 'free'? These questions have no answers because they have no content. Human beings can be free, yes. We know what that means. They have, as one of our great ancestors wrote, certain inalienable rights to life, liberty, and the pursuit of happiness. Does a robot have life? Not as we understand it. It has the semblance of life, yes-but so does the image on the face of a holocube. Nobody would argue that holocube images need to be set 'free.' Does a robot have liberty? Not as we understand the word: they are so far from having liberty that their very brains are constructed in such a way that they must obey human commands. And as for the pursuit of happiness-what can a robot possibly know about that? Happiness is a purely human goal. Freedom is a purely human state. A robot-a mere mechanical thing built out of metal and plastic, and from the very start of its existence intended and designed entirely as a device to serve the needs of human beings-is by definition not an object to which the concept of 'freedom' can be applied. Only a human being is capable of being free."
    It was a good speech,

Similar Books

The Bogus Biker

Judy Nickles

The Deep Dark

Gregg Olsen

It's Snow Joke

Nancy Krulik

Getting Wilde

Jenn Stark

Love's Miracles

Sandra Leesmith