and a pair of canvas trousers, just the right length; two white linen shirts, laced at the throat; an officerâs long boat-cloak; a brown leather baldric that looped across my chest to hold my sword, and a pair of fishermenâs sandals. Very bloody fancy, as Jem would say.
Carmella had to help me get the shirt over my bandaged arm and lace up the sandals. She tied my sore arm in a sling around my neck. I gazed at her in wonder. âWhere did you get all these?â
âDonât ask me, Miss. It was Madame. She must have had them stashed away somewhere, but sheâs been awake sewing all night getting them the right size for you.â
âPlease thank her for me.â
Carmella looked abashed. âUh-oh. I justremembered, I wasnât supposed to say where the clothes came from. She told me it was a secret.â
I threw her a wink. âDonât worry. Iâll thank her myself then.â
But I never got a chance.
After breakfast, as I was sitting in the sun by an open window, breathing in the orange blossom scent from the courtyard, there was a knock on the door.
âCygno,â called Carlo. âAre you receiving visitors?â
âDonât be silly, Carlo, you are always welcome.â
I turned my face to greet him. Shuffling into the room behind him, hats off, were the Vella brothers.
âRicardo!â I cried. âFrancesco! Where have you been?â
They were a sorry but welcome sight. Francesco wore a black eye, the bruise now turning a nasty yellow, while his brother had a ragged gash across his forehead. They stood together, elbows touching, just inside the doorway.
They had both somehow scavenged old uniforms from the Knightsâ galley fleet â shirts flapping open at the neck, striped trousers held up by wide waistbands. Ricardo had a heavy blue jacket with silver buttons hanging from his shoulders, and his feet were crammed into shoes far too small for him. It was almost reassuring to see Francescoâs grubby toes flexing and wriggling on the cold marble floor.
âCygno, you are wounded,â Francesco whispered.
âOnly a little,â I said. âYouâve been in a fight, too, by the looks. Donât your uniforms look splendid? Come in, come in.â
âWe cannot come in,â said Ricardo. âThere is no time.â
âWe have come to fetch you,â said Francesco.
I stood up slowly. âHas the Mermaid come back?â
â Iva , she awaits you. We have a cart outside. We must leave now.â
Francesco cleared his throat. âThe men of the Mermaid have voted. We have decided. It is time to take you home.â
Home?
I looked around me: at the white drapes that shimmered like sails in the breeze; at the huge bed piled high with pillows; at the cool paved floor, the tiled washstand, the tall windows, and the gilt edging on the fireplace. My familyâs whole house was smaller than this one room, and yet I did not fit here. I was the wrong shape.
I picked up my sword from its stand beside the bed, and slung the baldric over my shoulder.
Carlo took a few tentative steps forward. âPlease stay here, Cygno,â he said. âYou are part of our family now.â
âThank you, my friend,â I said, gently, âbut I cannot. I will see you again, soon.â
He put out his hand, and I shook it firmly. âFarewell.â
âHow do you say it in Malta?â
âWe say sa a .â
â Sa a , Carlo,â I said. âPlease thank your family for being so kind to me, especially your mother.â
He nodded.
âTell her,â I said, my voice wavering, âplease tell her itâs time for me to go home.â
11.
The inland sea
On board the Mermaid , everything seemed just the same, except that now I was going home.
As we rowed out to the ship, I admired her lines. She sat so beautifully in the water, so fine, as if she were a noble white horse or a gull sweeping
Kahlil Gibran
Kathryn Le Veque
Ron L. Hubbard
Dawn Stanton
Kristy Tate
Jess Dee
Gregg Hurwitz
Megan Hart
R. J. Palacio
Carol Anshaw