The Patrick Melrose Novels by Edward St. Aubyn Page B

appreciate how funny it was.
    The bedroom Bridget had been put in was all flowery chintz, with engravings of Roman ruins on every wall. Beside the bed was a copy of Lady Mosley’s A Life of Contrasts , on top of which Bridget had thrown Valley of the Dolls , her current reading. She sat by the window smoking a joint, and watched the smoke drift through the tiny holes in the mosquito net. From below, she could hear Nicholas shout ‘ unspeakable bumboy ’. They must be reminiscing about their school days. Boys will be boys.
    Bridget lifted one foot onto the windowsill. She still held the joint in her left hand, although it would burn her fingers with the next toke. She slipped her right hand between her legs and started to masturbate.
    â€˜It just goes to show that being an amanuensis doesn’t matter as long as you have the butler on your side,’ said Nicholas.
    David picked up his cue. ‘It’s always the same thing in life,’ he chanted. ‘It’s not what you do, it’s who you know.’
    To find such a ludicrous example of this important maxim made the two men laugh.
    Bridget moved over to the bed and spread herself out face down on the yellow bedcover. As she closed her eyes and resumed masturbating, the thought of David flashed over her like a static shock, but she forced herself to focus loyally on the memory of Barry’s stirring presence.

 
    9
    WHEN VICTOR WAS IN trouble with his writing he had a nervous habit of flicking open his pocket watch and clicking it closed again. Distracted by the noise of other human activities he found it helpful to make a noise of his own. During the contemplative passages of his daydreams he flicked and clicked more slowly, but as he pressed up against his sense of frustration the pace increased.
    Dressed this morning in the flecked and bulky sweater he had hunted down ruthlessly for an occasion on which clothes simply didn’t matter, he fully intended to begin his essay on the necessary and sufficient conditions of personal identity. He sat at a slightly wobbly wooden table under a yellowing plane tree in front of the house, and as the temperature rose he stripped down to his shirtsleeves. By lunchtime he had recorded only one thought, ‘I have written books which I have had to write, but I have not yet written a book which others have to read.’ He punished himself by improvising a sandwich for lunch, instead of walking down to La Coquière and eating three courses in the garden, under the blue and red and yellow parasol of the Ricard Pastis company.
    Despite himself he kept thinking of Eleanor’s puzzled little contribution that morning, ‘Gosh, I mean, if anything is in the mind, it’s who you are.’ If anything is in the mind it’s who you are: it was silly, it was unhelpful, but it whined about him like a mosquito in the dark.
    Just as a novelist may sometimes wonder why he invents characters who do not exist and makes them do things which do not matter, so a philosopher may wonder why he invents cases that cannot occur in order to determine what must be the case. After a long neglect of his subject, Victor was not as thoroughly convinced that impossibility was the best route to necessity as he might have been had he recently reconsidered Stolkin’s extreme case in which ‘scientists destroy my brain and body, and then make out of new matter, a replica of Greta Garbo’. How could one help agreeing with Stolkin that ‘there would be no connection between me and the resulting person’?
    Nevertheless, to think one knew what would happen to a person’s sense of identity if his brain was cut in half and distributed between identical twins seemed, just for now, before he had thrown himself back into the torrent of philosophical debate, a poor substitute for an intelligent description of what it is to know who you are.
    Victor went indoors to fetch the familiar tube of Bisodol