and he danced three hops and fell onto another couple’s table, his hand getting stuck in a small metal water pitcher. At this point everyone started to laugh, except the son-in-law and the old man, who slowly bent over and felt the floor for his cane and spectacles. Sam called over a waiter to dry the tables and chairs and get everybody reseated and supplied with fresh glasses and ice. The steam whistle blew a warning, followed by a rising, shrill signal from the starboard side as a ferryboat cut its engines only twenty-five feet away, its yellow running lights shining angrily, its boiler’s fire door a blinding orange star traveling sideways in the night. The passengers calmed down, distracted by the fact that the ferry had come out from its landing without waiting for or even seeing the Ambassador at all. Sam watched the ferry slide astern, hoping that everyone would realize that a couple of spilled drinks or a rude remark was nothing compared to a midnight collision spilling hundreds of folks in deep river, but then the son-in-law began throwing punches and it took him ten minutes of pulling and pushing to break up the fight.
* * *
UPSTAIRS, the band members were running with sweat, thumping out a shimmy number as five hundred dancers stepped and turned in a massive wink of patent leather and sequins, silk ties and hair oil, good New Orleans dancers who knew what to do with a downbeat making the old deck jump. The waiters were skating around the edge of the action, sliding their shoes on the dance wax, delivering sandwiches and mixers to the people at the double layer of tables lining the walls. The expressions of most of the dancers seemed overly happy, and Sam scanned the faces of the band members, who were too busy selling the tune to exhibit any worry, and indeed no one showed a negative thought, caught up in some kind of capsule of delight, at least while the music kept everything in motion. And then he saw a still silhouette sitting at the stern end of the dance deck, and he walked over because her presence contradicted the motion-drunk room. It was Elsie, sitting alone at the last table, her hair wound in pigtails above her ears, wearing a plain dark dress.
“Hi. You on break?”
“In case you don’t know, the staff can’t join in the fun. We’ll be at the dock in ten minutes and as soon as the lights come up, I’m to start stripping the tables.”
She looked tired, and he wanted to say something to cheer her up, but all he said was, “Work you to death, don’t they?”
“Well, let’s just say I need to keep busy.”
“Ted still waiting on ’em upstairs?”
She nodded. “I was waitressing with him but they cut me loose a few minutes ago. It’ll only take a half hour to clear everybody off. This is a pretty mild crowd.”
The whistle moaned out a landing signal and the band began to play “Home, Sweet Home.” Sam felt a tug on his arm and he turned to face a thickset man also wearing a mate’s cap. He introduced himself as Aaron Swaneli, the first mate.
“How’d I miss meeting you?”
“It’s my bidness to lay low,” Swaneli said. “That way I can keep an eye on things, you know?” He made a sideways motion with his head.
“You’re the power man. Got a blackjack on you.”
Swaneli put a hand on Sam’s shoulder and squeezed it. “Look, right now I need you to go topside. The hardlegs up there are smokin’ and all in love this time of night. Walk the rail and look for cigarettes they’ve tossed. Every butt you see, lit or not, put your toe on it and twist three times, okay?”
The lights came up on the last note, and the band began to take down music and pack their instruments. People crowded the stairs, and Sam walked up through them and toured the deck, first the open area, then the café, which was hot and nearly empty. He stepped out into the night and looked forward to where Mr. Brandywine then ascended a little filigreed bridge on the hurricane deck. He raised a
* * *
UPSTAIRS, the band members were running with sweat, thumping out a shimmy number as five hundred dancers stepped and turned in a massive wink of patent leather and sequins, silk ties and hair oil, good New Orleans dancers who knew what to do with a downbeat making the old deck jump. The waiters were skating around the edge of the action, sliding their shoes on the dance wax, delivering sandwiches and mixers to the people at the double layer of tables lining the walls. The expressions of most of the dancers seemed overly happy, and Sam scanned the faces of the band members, who were too busy selling the tune to exhibit any worry, and indeed no one showed a negative thought, caught up in some kind of capsule of delight, at least while the music kept everything in motion. And then he saw a still silhouette sitting at the stern end of the dance deck, and he walked over because her presence contradicted the motion-drunk room. It was Elsie, sitting alone at the last table, her hair wound in pigtails above her ears, wearing a plain dark dress.
“Hi. You on break?”
“In case you don’t know, the staff can’t join in the fun. We’ll be at the dock in ten minutes and as soon as the lights come up, I’m to start stripping the tables.”
She looked tired, and he wanted to say something to cheer her up, but all he said was, “Work you to death, don’t they?”
“Well, let’s just say I need to keep busy.”
“Ted still waiting on ’em upstairs?”
She nodded. “I was waitressing with him but they cut me loose a few minutes ago. It’ll only take a half hour to clear everybody off. This is a pretty mild crowd.”
The whistle moaned out a landing signal and the band began to play “Home, Sweet Home.” Sam felt a tug on his arm and he turned to face a thickset man also wearing a mate’s cap. He introduced himself as Aaron Swaneli, the first mate.
“How’d I miss meeting you?”
“It’s my bidness to lay low,” Swaneli said. “That way I can keep an eye on things, you know?” He made a sideways motion with his head.
“You’re the power man. Got a blackjack on you.”
Swaneli put a hand on Sam’s shoulder and squeezed it. “Look, right now I need you to go topside. The hardlegs up there are smokin’ and all in love this time of night. Walk the rail and look for cigarettes they’ve tossed. Every butt you see, lit or not, put your toe on it and twist three times, okay?”
The lights came up on the last note, and the band began to take down music and pack their instruments. People crowded the stairs, and Sam walked up through them and toured the deck, first the open area, then the café, which was hot and nearly empty. He stepped out into the night and looked forward to where Mr. Brandywine then ascended a little filigreed bridge on the hurricane deck. He raised a
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