The Man Without a Face: The Unlikely Rise of Vladimir Putin by Masha Gessen

to return to the Soviet Union? Sergei Roldugin, Putin’s cellist friend, remembered him saying, “They cannot do this. How could they? I see that I can make mistakes, but how can these people, whom we think of as the best professionals, make mistakes?” He said he would leave the KGB. “Once a spy, always a spy,” his friend responded; this was a common Soviet saying. Vladimir Putin felt betrayed by his country and his corporation—the only important affiliation he had ever known, outside his judo club—but the corporation was filled with people who increasingly felt betrayed, misled, and abandoned; it would be fair to say this was the KGB’s corporate spirit in 1990.

Four

ONCE A SPY
     
    A ll of Russian history happens in St. Petersburg. The city was the capital of a prosperous empire depleted by World War I, at the start of which it lost its name: Germanic St. Petersburg became the more Russian-sounding Petrograd. The empire was destroyed by the one-two punch of the revolutions of 1917, for both of which Petrograd provided the stage. Soon the city lost its capital status, as the seat of power was moved to Moscow. Petrograd, with its poets and artists, remained the capital of Russian culture—even as the city lost its name yet again, becoming Leningrad the day the first of the Soviet tyrants died. The literary, artistic, academic, political, and business elites of the city would be gradually decimated by purges, arrests, and executions throughout the 1930s. That miserable decade closed with the Soviet-Finnish War, a disastrously ill-conceived act of Soviet aggression that segued into World War II. During the siege and after World War II, Leningrad, to which Putin’s parents had returned, was the city of ghosts. Its buildings, once majestic, stood ravaged: the window glass had been blown out by the bombing and shelling; the window frames had been used for firewood, as had the furniture. Processions of rats, hundreds and thousands strong, would march past the buildings’ pockmarked walls, taking up the entire width of the sidewalk, pushing aside the shadowy human survivors.
    In the postwar decades, the city swelled with new people and their work. Leningrad became the military-industrial capital of the Soviet Union; hundreds of thousands of people from other parts of the empire settled in identical gray building blocks, which could not be erected fast enough to keep up with the influx. By the mid-1980s, the city’s population was pushing five million—far exceeding capacity even by the modest living standards set in the Soviet Union. The heart of the city, its historic center, had meanwhile been all but abandoned by the city’s builders; those families, like Putin’s, who had survived the hell of the first half of the twentieth century were living in huge, rambling communal apartments in buildings that had once been grand but now, after decades of disrepair, had entered the stage of irreversible decay.
    Yet the city to which Putin returned in 1990 had changed more in the four years he had been absent than it had changed in the forty years before that. The very people Putin and his colleagues had kept in check and in fear—the dissidents, the almost-dissidents, and the friends of friends of dissidents—now acted as if they owned the city.
    ON MARCH 16, 1987, a massive explosion occurred in St. Isaac’s Square in Leningrad. The blast brought down the Angleterre Hotel, whose grand façade had framed part of the city’s most beautiful square for more than a hundred fifty years and whose history was the stuff of legend and St. Petersburg’s cultural legacy. The great poet Sergei Yesenin had committed suicide in Room 5, which got the hotel mentioned in the work of at least half a dozen other poets. In a country and a city where the facts of history were most often whispered and the sites of history were frequently concealed, destroyed, or faked, the Angleterre was a rare instance of an actual artifact—which is