The Mammoth Book of SF Wars by Ian Watson [Ed], Ian Whates [Ed]
Authors: Ian Watson [Ed], Ian Whates [Ed]
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within the palm of his right hand inside the suit’s artificial arm.
At that instant, everything goes dark again, just like it did when the shrapnel from the dropship hit the back of his suit.
This time, though, it stays dark.
A red LCD lights above his forehead, telling him that there’s been a total system crash.
Cursing, he finds the manual override button and stabs it with his little finger. As anticipated, it causes the computer to completely reboot itself; he hears servomotors grind within the carapace as its limbs move into neutral position, until his boots are planted firmly on the ground and his arms are next to his sides, his rifle pointed uselessly at the ground.
There is a dull click from somewhere deep within the armour, then silence.
Except for the red LCD, everything remains dark.
He stabs frantically at the palm buttons, but there’s no power to any of the suit’s major subsystems. He tries to move his arms and legs, but finds them frozen in place.
Limbs, jumpjets, weapons, ECM, comlink … nothing works.
Now he’s sweating more than ever. The impact of that little bit of debris from the dropship must have been worse than he thought. Something must have shorted out, badly, within the Valkyrie’s onboard computer.
He twists his head to the left so he can gaze through the eyepiece of the optical periscope, the only instrument within the suit that isn’t dependent upon computer control. What he sees, terrifies him: the rest of his platoon jumpjetting for the security of the distant crater, while missiles continue to explode all around him.
Abandoning him. Leaving him behind.
He screams at the top of his lungs, yelling for Boyle and Kemp and Cortez and the rest, calling them foul names, demanding that they wait or come back for him, knowing that it’s futile. They can’t hear him. For whatever reason, they’ve already determined that he’s out of action; they cannot afford to risk their lives by coming back to lug an inert CAS across a battlefield.
He tries again to move his legs, but it’s pointless. Without direct interface from the main computer, the limbs of his suit are immobile. He might as well be wearing a concrete block.
The suit contains three hours of oxygen, fed through pumps controlled by another computer tucked against his belly, along with rest of its life-support systems. So at least he won’t suffocate or fry …
For the next three hours, at any rate.
Probably less. The digital chronometer and life-support gauge are dead, so there’s no way of knowing for sure.
As he watches, even the red coal of the LCD warning lamp grows dim until it finally goes cold, leaving him in the dark.
He has become a living statue. Fully erect, boots firmly placed upon the dusty regolith, arms held rigid at his sides, he is in absolute stasis.
For three hours. Certainly less.
For all intents and purposes, he is dead.
In the smothering darkness of his suit, Giordano prays to a god in which he has never really believed. Then, for lack of anything else to do, he raises his eyes to the periscope eyepiece and watches as the battle rages on around him.
He fully expects – and, after a time, even hopes – for a Pax missile to relieve him of his ordeal, but this small mercy never occurs. Without an active infrared or electromagnetic target to lock in upon, the heatseekers miss the small spot of ground he occupies, instead decimating everything around him.
Giordano becomes a mute witness to the horror of the worst conflict of the Moon War, what historians will later call the Battle of Mare Tranquillitatis. Loyalty, duty, honour, patriotism … all the things in which he once believed are soon rendered null and void as he watches countless lives being lost.
Dropships touch down near and distant, depositing soldiers in suits similar to his own. Some don’t even make it to the ground before they become miniature supernovas.
Men and women like himself fly apart even as they charge across the
At that instant, everything goes dark again, just like it did when the shrapnel from the dropship hit the back of his suit.
This time, though, it stays dark.
A red LCD lights above his forehead, telling him that there’s been a total system crash.
Cursing, he finds the manual override button and stabs it with his little finger. As anticipated, it causes the computer to completely reboot itself; he hears servomotors grind within the carapace as its limbs move into neutral position, until his boots are planted firmly on the ground and his arms are next to his sides, his rifle pointed uselessly at the ground.
There is a dull click from somewhere deep within the armour, then silence.
Except for the red LCD, everything remains dark.
He stabs frantically at the palm buttons, but there’s no power to any of the suit’s major subsystems. He tries to move his arms and legs, but finds them frozen in place.
Limbs, jumpjets, weapons, ECM, comlink … nothing works.
Now he’s sweating more than ever. The impact of that little bit of debris from the dropship must have been worse than he thought. Something must have shorted out, badly, within the Valkyrie’s onboard computer.
He twists his head to the left so he can gaze through the eyepiece of the optical periscope, the only instrument within the suit that isn’t dependent upon computer control. What he sees, terrifies him: the rest of his platoon jumpjetting for the security of the distant crater, while missiles continue to explode all around him.
Abandoning him. Leaving him behind.
He screams at the top of his lungs, yelling for Boyle and Kemp and Cortez and the rest, calling them foul names, demanding that they wait or come back for him, knowing that it’s futile. They can’t hear him. For whatever reason, they’ve already determined that he’s out of action; they cannot afford to risk their lives by coming back to lug an inert CAS across a battlefield.
He tries again to move his legs, but it’s pointless. Without direct interface from the main computer, the limbs of his suit are immobile. He might as well be wearing a concrete block.
The suit contains three hours of oxygen, fed through pumps controlled by another computer tucked against his belly, along with rest of its life-support systems. So at least he won’t suffocate or fry …
For the next three hours, at any rate.
Probably less. The digital chronometer and life-support gauge are dead, so there’s no way of knowing for sure.
As he watches, even the red coal of the LCD warning lamp grows dim until it finally goes cold, leaving him in the dark.
He has become a living statue. Fully erect, boots firmly placed upon the dusty regolith, arms held rigid at his sides, he is in absolute stasis.
For three hours. Certainly less.
For all intents and purposes, he is dead.
In the smothering darkness of his suit, Giordano prays to a god in which he has never really believed. Then, for lack of anything else to do, he raises his eyes to the periscope eyepiece and watches as the battle rages on around him.
He fully expects – and, after a time, even hopes – for a Pax missile to relieve him of his ordeal, but this small mercy never occurs. Without an active infrared or electromagnetic target to lock in upon, the heatseekers miss the small spot of ground he occupies, instead decimating everything around him.
Giordano becomes a mute witness to the horror of the worst conflict of the Moon War, what historians will later call the Battle of Mare Tranquillitatis. Loyalty, duty, honour, patriotism … all the things in which he once believed are soon rendered null and void as he watches countless lives being lost.
Dropships touch down near and distant, depositing soldiers in suits similar to his own. Some don’t even make it to the ground before they become miniature supernovas.
Men and women like himself fly apart even as they charge across the
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