stiffly at an angle in front of her. Her brow was creased by a frown, and her lowered, coal-black eyes, the skin beneath them forming drooping bags, were directed straight ahead. Her aging face, with its pale Mediterranean complexion and large, careworn mouth turned down at one corner, reminded Hans Castorp of a picture he had once seen of a famous tragedian; and it was eerie to watch how this pale woman dressed in black matched her long, somber strides, apparently without realizing it, to the rhythm of march music in the distance.
Hans Castorp gazed down at her in thoughtful sympathy, and it seemed as if her sad appearance darkened the morning sun. Simultaneously, however, he perceived something else, something audible, coming from the adjoining room on his left, the room with the Russian couple, so Joachim had said—noises that were likewise ill suited to this cheerful, fresh morning, that tainted it, making it seem sultry somehow. Hans Castorp remembered that he had heard the same sounds the night before, but had been too tired to pay them any attention. Giggles, gasps, grapplings—there was no disguising the indelicate nature of the sound, although in his kindheartedness the young man at first tried hard to give it a harmless interpretation. One could use other terms for his kindheartedness—an insipid phrase like “purity of soul,” for instance, or a more serious and beautiful word like “modesty,” or disparaging words such as “avoidance of the truth” and “hypocrisy,” or even a phrase about “the mystic piety of shyness”—and Hans Castorp’s reaction to the sounds from the adjoining room combined something of them all and was visible now as a shadow of respectability that darkened his face, as if he should not know and did not want to know anything about what he heard there. It was an expression of propriety—not exactly original, but one he was in the habit of assuming under certain circumstances.
And with this look on his face he returned to his room to avoid having to listen any longer to the proceedings, which despite the giggles sounded terribly serious, disconcertingly so. But the events on the far side of the wall were even more audible from his room. An apparent chase around the furniture, the crash of an upturned chair, a grab, an embrace, slaps and kisses—and then, of all things to accompany the invisible scene, a waltz was struck up in the distance, the tired melody of a popular ballad. Hans Castorp stood, towel in hand, and listened against his best intentions. And suddenly a blush rose up under his talcum, because what he had clearly seen coming had now arrived, and beyond any doubt, the game had turned bestial. “Good God in heaven!” he thought, turning away to finish dressing with as much noise as he could manage. “Well, they’re married, for heaven’s sake, that’s as it should be at least. But in broad daylight, that is a bit much. And I’m almost certain that they disturbed the peace last night, too. After all, they are ill, that’s why they’re here, or one of them is at least, and a little self-control wouldn’t be out of place. But of course,” he realized angrily, “the real scandal is that the walls are so thin and that you can hear everything so clearly, and that’s simply intolerable! Cheap construction, naturally, shamefully cheap! I wonder if I shall see these people later, or even be introduced to them? That would be most embarrassing.” But now Hans Castorp realized to his amazement that the flush that had come to his freshly shaven cheeks had not subsided, or at least the warmth that had come with it was not about to depart—the same hot, dry face that had bothered him yesterday evening, and that had disappeared while he slept, was back now in full force. This did not make him feel any friendlier toward the married couple next door, indeed he pouted his lips and muttered something very disparaging about them; and now he made the mistake of splashing
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