the one about my wife hitting the road with her dead husband. I know Bud wants to ask me how it feels to walk down the street with hot BBs in your gearbox, but doesn’t have the nerve. (For the most part it’s unnoticeable—except, of course, you never don’t know it.)
“I’m all locked and loaded, Bud.” I stand beside them at the bottom of the steps and give Bud a mirthless line-mouth smile of no tolerance, which re-informs him I don’t like him. Haddam used to be full of schmoes like Bud Sloat, yipping little Princetonians who never missed New Year’s Eve at the Princeton Club, showed up for every P-rade, smoker, ball game and fund-raiser, and wore their orange-and-black porkpie hats and tiger pajamas to bed. These guys are all into genealogy and Civil War history, and like to sit around quoting Mark Twain and General Patton, and arguing that a first-rate education as prelude to a life in retail was exactly what old Witherspoon had in mind back in 17-whatever. Bud’s business card, in collegiate Old Gothic embossed with the Princeton crest and colors (I admit to admiring it), reads,
There’s the Examined Life. And Then There’s the Lamp Business.
“Nothing’s really happening inside now, Frank,” Lloyd murmurs in his seasoned mourner’s voice, cupping a smoke down by his coat pocket and letting a drag leak out his big nose. From where I stand, I can see right inside Lloyd’s nostrils, where it’s as dark as bituminous coal. Lloyd buried my son Ralph from out of this same house nineteen years ago, and we’ve always shared a sadness (something he’s probably done with eight thousand people, many of whom he’s also by now been called on to bury). Every time he sees me, Lloyd lays a great heavy mitt on my shoulder, lowers his bluish face near mine and in a Hollywood baritone says, “How’re those kids, Frank?” As if Clarissa and Paul, my surviving children, had stayed eternally five and seven in the same way Ralph
is
eternally nine. Lloyd’s as big, tall, sweet and bulky as Bud is fat, weasly and lewd—a great, potato-schnozzed, coat hanger–shouldered galoot who years ago played defensive end for the Scarlet Knights, has soulful mahogany eyes deep-set in bony blue-shaded sockets and always smells like a cigarette. It’s as if Lloyd became an undertaker because one day he gazed in a mirror and noticed he looked like one. I’d be happy to be buried by Lloyd if I felt okay about being buried—which I don’t. “We put Ernie in a viewing room for an hour, Frank, just in case, but we need to get him along now. You know. Not that he’d care.” Lloyd nods professionally and looks down at his wide black shoe toes. A burning Old Spice cloud mingled with tobacco aroma issues from somewhere in the middle of Lloyd. I didn’t intend to
view
Ernie, or even the box he’s going out in.
From the side of the building, the headlights of a long black Ford Expedition glow out through the weather’s gloom, ready to transfer Ernie to the boneyard, where a grave’s probably already opened. Lloyd always uses SUVs for unattended interments. Without pageantry or a hushed ruffle, life’s last performance becomes as matter-of-fact as returning books to the library.
“Do you know what the death woman said?” Bud Sloat’s round pink face is tipped to the side, as though he’s hearing music, his shrewd retailer’s eyes hooded to convey self-importance.
“What woman? What’s a death woman?” I say.
Lloyd exhales a disapproving grunt, shifts back in his undertaker brogans. Squeaky, squeaky.
“Well, you know, Ernie agreed to let this psychologist woman from someplace out in Oregon be present when he died.
Actually
died.” Bud keeps his face cocked, as if he’s telling an off-color joke. “She wanted to ask him things right up to the last second, okay? And then say his name for ten minutes to see if she could detect any efforts of Ernie wanting to come back to life.” Bud frowns, then grins—his thin,
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