The Killer Next Door by Alex Marwood

sun and rolls on to his back to show the handkerchief of white on his belly. She smiles.
    ‘You look more cheerful,’ says Cher. ‘You almost done in there?’
    ‘Not completely. But at least I can sit down, now.’
    ‘Christ. They really made a mess, didn’t they?’
    ‘Yes.’
    ‘Ooh, that reminds me.’ Cher leans over her backpack and rummages inside. ‘I got you a present.’ She finds what she’s looking for, and holds it out, a small hard object wrapped in a T-shirt. She looks pleased with herself. ‘I hope you like it.’
    ‘Oh, Cher, you shouldn’t waste your money on buying me…’ begins Vesta, then stops dead when she sees what’s inside the bundle. It’s a dancing lady, bone china, imperial purple ball dress swirling around impossibly thin ankles, a blaze of carmine hair improbably stiff on a single shoulder. Round azure eyes and a snub nose, tiny mouth hand-painted in shiny crimson. It’s the spit of one of her mother’s that lies in pieces with the rest of the collection, wrapped in newspaper in her kitchen bin. ‘Oh, Cher,’ she says. ‘You shouldn’t have. What on earth did you think you were doing? You can’t afford this.’
    Cher shrugs. ‘Didn’t cost much. Hardly anything.’
    ‘No, but…’ Vesta knows exactly how much they cost. She and Cher looked at them together only a few weeks ago, in the window of Bentalls in Kingston, and she was shocked to see that they cost very nearly a week’s old-age pension. All these years, she had had no idea. Her burglar has taken out very nearly a thousand pounds she never knew she had with a single swing of the poker from the fireplace. ‘… I can’t believe you’ve done this.’
    Cher’s face clouds over. ‘Don’t you like it?’
    ‘It’s not that. It’s… Cher, you shouldn’t have done this. You should save your money. You shouldn’t be spending it on things like this. What about your rent?’
    She looks up and sees that Cher has visibly shrunk. She swings her legs from the knees like a little kid, wide-eyed with disappointment. ‘I thought you’d like it,’ she says. ‘I can get you something else, if you want.’
    ‘No, love,’ says Vesta. ‘I love it. I love, love, love it. C’m’ere.’
    She holds her arms out and enfolds Cher in a hug. They’re both so thin it’s not a very comfortable hug; more a clashing of bones. Cher smells of salt and hair conditioner, and some floral chemical they all spray over themselves these days. She hugs like someone who’s not used to hugging: comes into it gingerly, as though she’s nervous that something will break, and then clings on far too long, as though she’s afraid to let go. They stay there, awkwardly, in the sunshine, for longer than either of them is easy with. Poor little love, thinks Vesta. Whoever dragged her up, they didn’t make her expect people to like her.
    Slowly, slowly, she disentangles herself, and lays the figurine gently down on the grass. ‘It’ll look lovely on the mantelpiece,’ she assures her. ‘I shall treasure it for ever.’
    But where the hell is Cher affording this sort of thing? she wonders. It’s not off the dole, that’s for sure. And how do you ask someone if they’ve stolen your present, without offending them? Cher is always popping in with stuff: usually biscuits, or a cake or something. But always premium quality, branded stuff. No Every Little Helps about young Cheryl’s presents. But oh, I would feel terrible if she got caught nicking nonsense to lay at my feet the way that cat brings her mice.
    ‘What’s the new tenant like?’ she asks, changing the subject because she knows that if she stays on it she’ll have to ask. ‘Have you met her yet?’
    Cher plops back down into her deckchair. ‘Ooh, yeah,’ she says. ‘I dropped in, the other night.’
    ‘Oh, you,’ says Vesta. ‘You’ve got no shame, have you?’
    Cher shrugs. ‘It’s not Buckingham Palace. You don’t need a tiara and a fanfare. Anyway, I took a