Haven, CT, and London: Yale University Press, 2012.
Ames-Lewis, F., and Wright, J. (eds) Drawing in the Italian Renaissance Workshop. New Haven and London: Yale University Press, 1983.
Anderson, J., ‘Rewriting the history of art patronage’, Renaissance Studies 10 (1996), pp. 129–38.
Anselmi, G. M., F. Pezzarassa and L. Avellini, La ‘memoria’ dei mercatores. Bologna: Pàtron, 1980.
Antal, F., Florentine Painting and its Social Background. London: Kegan Paul, 1947.
Anthon, C., ‘Social status of Italian musicians during the sixteenth century’, Journal of Renaissance and Baroque Music 1 (1946), pp. 111–23, 222–34.
Antoni, C., From History to Sociology . Eng. trans., Detroit: Wayne State University Press, 1959.
Archambault, P., ‘The analogy of the body in Renaissance political literature’, Bibliothèque d’Humanisme et Renaissance 29 (1967), pp. 21–53.
Aretino, P., Sei giornate (1534–6), ed. G. Aquilecchia. Bari: Einaudi, 1975.
Arnaldi, G., and M. Pastore Stocchi (eds), Storia della cultura veneta , 3: Dal primo quattrocento al concilio di Trento , 2 vols. Vicenza: Neri Pozza, 1980–1.
Aron, P., Toscanello. Venice, 1523.
Asor Rosa, A. (ed.), Letteratura italiana , 2: Produzione e consumo. Turin: Einaudi, 1983.
Atlas, A. W., Music at the Aragonese Court of Naples. Cambridge: Cambridge University Press, 1985.
Auerbach, E., ‘Figura’, in Auerbach, Scenes from the Drama of European Literature , pp. 11–76. New York, 1959.
— Literary Language and its Public in Late Latin Antiquity and in the Middle Ages . Eng. trans., London: Routledge & Kegan Paul, 1965.
— Mimesis. Eng. trans., Princeton, NJ: Princeton University Press, 1954.
Avery, C., Florentine Renaissance Sculpture . London: John Murray, 1970.
Bandello, M., Novelle (1554), ed. G. G. Ferrero. Turin, 1974.
Barbieri, G., Economia e politica nel ducato di Milano. Milan: Vita e pensiero, 1938.
Bareggi, C., Il mestiere di scrivere: lavoro intellettuale e mercato librario a Venezia nel cinquecento . Rome: Bulzoni, 1988.
Barkan, L., Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture . New Haven, CT: Yale University Press, 1999.
Barnes, B., Michelangelo’s Last Judgement: the Renaissance Response . Berkeley: University of California Press, 1998.
Barolsky, P., Infinite Jest: Wit and Humor in Italian Renaissance Art. London: University of Missouri Press, 1978.
—Why Mona Lisa Smiles . University Park: Pennsylvania State University Press, 1991.
Baron, H., ‘Burckhardt’s Civilisation of the Renaissance a century after its publication’, Renaissance News 13 (1960), pp. 207–22.
—The Crisis of the Early Italian Renaissance. Rev. edn, Princeton, NJ: Princeton University Press, 1966.
—‘The historical background of the Florentine Renaissance’, History 23 (1938), pp. 315–27.
Barzman, K.-E., ‘Gender, religious representation and cultural production in early modern Italy’, in Gender and Society in Renaissance Italy , ed. J. C. Brown and R. C. Davis, pp. 213–33. London: Longman, 1998.
Baskins, C., Cassone Painting, Humanism and Gender in Early Modern Italy . Cambridge: Cambridge University Press, 1998.
Batkin, L. M., L’idea di individualità nel Rinascimento italiano . Italian trans. from Russian. Rome: Laterza, 1992.
—Die italienische Renaissance. German trans. from Russian, Dresden: Verlag der Kunst, 1979.
Battara, P., La popolazione di Firenze alla metà del ’500. Florence: Rinascimento del libro, 1935.
Battisti, E., L’antirinascimento. Milan: Feltrinelli, 1962.
Bauer, H., Kunst und Utopie. Berlin: De Gruyter, 1965.
Baxandall, M., ‘Art, society and the Bouguer principle’, Representations 12 (1985), pp. 32–43.
—‘BartholomaeusFacius on painting’, JWCI 27 (1964), pp. 90–107.
—‘A dialogue on art from the court of Leonello d’Este’, JWCI 26 (1963), pp. 304–26.
— Giotto and the Orators. Oxford: Clarendon Press, 1971.
—‘Guarino, Pisanello and Manuel Chrysoloras’, JWCI 28
Ames-Lewis, F., and Wright, J. (eds) Drawing in the Italian Renaissance Workshop. New Haven and London: Yale University Press, 1983.
Anderson, J., ‘Rewriting the history of art patronage’, Renaissance Studies 10 (1996), pp. 129–38.
Anselmi, G. M., F. Pezzarassa and L. Avellini, La ‘memoria’ dei mercatores. Bologna: Pàtron, 1980.
Antal, F., Florentine Painting and its Social Background. London: Kegan Paul, 1947.
Anthon, C., ‘Social status of Italian musicians during the sixteenth century’, Journal of Renaissance and Baroque Music 1 (1946), pp. 111–23, 222–34.
Antoni, C., From History to Sociology . Eng. trans., Detroit: Wayne State University Press, 1959.
Archambault, P., ‘The analogy of the body in Renaissance political literature’, Bibliothèque d’Humanisme et Renaissance 29 (1967), pp. 21–53.
Aretino, P., Sei giornate (1534–6), ed. G. Aquilecchia. Bari: Einaudi, 1975.
Arnaldi, G., and M. Pastore Stocchi (eds), Storia della cultura veneta , 3: Dal primo quattrocento al concilio di Trento , 2 vols. Vicenza: Neri Pozza, 1980–1.
Aron, P., Toscanello. Venice, 1523.
Asor Rosa, A. (ed.), Letteratura italiana , 2: Produzione e consumo. Turin: Einaudi, 1983.
Atlas, A. W., Music at the Aragonese Court of Naples. Cambridge: Cambridge University Press, 1985.
Auerbach, E., ‘Figura’, in Auerbach, Scenes from the Drama of European Literature , pp. 11–76. New York, 1959.
— Literary Language and its Public in Late Latin Antiquity and in the Middle Ages . Eng. trans., London: Routledge & Kegan Paul, 1965.
— Mimesis. Eng. trans., Princeton, NJ: Princeton University Press, 1954.
Avery, C., Florentine Renaissance Sculpture . London: John Murray, 1970.
Bandello, M., Novelle (1554), ed. G. G. Ferrero. Turin, 1974.
Barbieri, G., Economia e politica nel ducato di Milano. Milan: Vita e pensiero, 1938.
Bareggi, C., Il mestiere di scrivere: lavoro intellettuale e mercato librario a Venezia nel cinquecento . Rome: Bulzoni, 1988.
Barkan, L., Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture . New Haven, CT: Yale University Press, 1999.
Barnes, B., Michelangelo’s Last Judgement: the Renaissance Response . Berkeley: University of California Press, 1998.
Barolsky, P., Infinite Jest: Wit and Humor in Italian Renaissance Art. London: University of Missouri Press, 1978.
—Why Mona Lisa Smiles . University Park: Pennsylvania State University Press, 1991.
Baron, H., ‘Burckhardt’s Civilisation of the Renaissance a century after its publication’, Renaissance News 13 (1960), pp. 207–22.
—The Crisis of the Early Italian Renaissance. Rev. edn, Princeton, NJ: Princeton University Press, 1966.
—‘The historical background of the Florentine Renaissance’, History 23 (1938), pp. 315–27.
Barzman, K.-E., ‘Gender, religious representation and cultural production in early modern Italy’, in Gender and Society in Renaissance Italy , ed. J. C. Brown and R. C. Davis, pp. 213–33. London: Longman, 1998.
Baskins, C., Cassone Painting, Humanism and Gender in Early Modern Italy . Cambridge: Cambridge University Press, 1998.
Batkin, L. M., L’idea di individualità nel Rinascimento italiano . Italian trans. from Russian. Rome: Laterza, 1992.
—Die italienische Renaissance. German trans. from Russian, Dresden: Verlag der Kunst, 1979.
Battara, P., La popolazione di Firenze alla metà del ’500. Florence: Rinascimento del libro, 1935.
Battisti, E., L’antirinascimento. Milan: Feltrinelli, 1962.
Bauer, H., Kunst und Utopie. Berlin: De Gruyter, 1965.
Baxandall, M., ‘Art, society and the Bouguer principle’, Representations 12 (1985), pp. 32–43.
—‘BartholomaeusFacius on painting’, JWCI 27 (1964), pp. 90–107.
—‘A dialogue on art from the court of Leonello d’Este’, JWCI 26 (1963), pp. 304–26.
— Giotto and the Orators. Oxford: Clarendon Press, 1971.
—‘Guarino, Pisanello and Manuel Chrysoloras’, JWCI 28
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