fencing; Saint-Savin asked various questions, waxed enthusiastic at the mention of a certain thrust, drew his sword right in the middle of a square and insisted that Roberto illustrate the action. Either Saint-Savin already knew it or he was very quick, because he parried it with dexterity, though admitting that it was an invention worthy of the haute école.
In gratitude he indicated only one stratagem of his own to Roberto. He put him on guard, they traded a few feints, he awaited the first attack, suddenly he seemed to slip to the ground, and when Roberto dropped his guard, speechless, Saint-Savin rose as if by miracle and snipped a button off his tunicâshowing that he could have wounded him had he thrust harder.
"You like that, my friend?" he said, as Roberto saluted, conceding defeat. "It's the coup de la mouette, the seagull thrust, as it's called. If you go to sea one day, you will observe how those birds dive abruptly as if they were falling, but when they have barely grazed the water, they soar up again with their catch in their beaks. It is a move that requires long practice, and it is not infallible. In my experience, it failed onceâfor the braggart who invented it. And so he made me a gift both of his life and of his secret. I believe he was sorrier to part with the second than with the first."
They would have gone on at length if a little crowd of civilians had not collected. "Shall we stop?" Roberto said. "I would not want someone to say I have forgotten I am in mourning."
"You honor your father better now," Saint-Savin said, "by remembering his teachings, than you did before, listening to that execrable Latin in church."
"Monsieur de Saint-Savin," Roberto said to him, "are you not afraid of ending up at the stake?"
Saint-Savin frowned for a moment. "When I was more or less your age, I admired a man who had been an older brother to me. Like an ancient philosopher I called him Lucretius, for he, too, was a philosopher, and moreover a priest. He ended up at the stake in Toulouse, but first they tore out his tongue and strangled him. And so you see that if we philosophers are quick of tongue, it is not simply, as that gentleman said the other evening, to give ourselves
bon ton.
It is to put the tongue to good use before they rip it out. Or, rather, jesting aside, to dispel prejudice and to discover the natural cause of Creation."
"So you truly do not believe in God?"
"I find no reason to, in nature. Nor am I the only one. Strabo tells us that the Galicians had no notion of a higher being. When the missionaries wanted to talk of God with the natives of the West Indies, Acosta recounts (and he was also a Jesuit), they could use only the Spanish word
Dios.
You will not believe it, but no suitable term existed in the local language. If the idea of God is unknown in the state of nature, it must then be a human invention.... But do not look at me as if I lacked sound principles and were not a faithful servant of my king. A true philosopher never seeks to subvert the order of things. He accepts it. He asks only to be allowed to cultivate the thoughts that comfort a strong spirit. For the others, luckily there are both popes and bishops to restrain the crowd from revolt and crime. The order of the state demands a uniformity of conduct, religion is necessary for the people, and the wise man must sacrifice a part of his independence so that society will remain stable. As for me, I believe I am an upright man: I am loyal to my friends, I do not lie, except when I make a declaration of love, I love knowledge, and they say I write good verses. So the ladies consider me charming. I would like to write romances, which are so much in fashion, but though I think of many, I never sit down to write one...."
"What romances do you think of?"
"Sometimes I look at the Moon, and I imagine that those darker spots are caverns, cities, islands, and the places that shine are those where the sea catches the light of the
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