The House of Mirth

The House of Mirth by Edith Wharton

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Authors: Edith Wharton
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Trenors.
     "Ah–now I see why you were getting up your Americana!" Selden exclaimed with a note of the freest admiration but the blush with which the sally was received checked whatever amplifications he had meant to give it.
     That Lily Bart should object to being bantered about her suitors, or even about her means of attracting them, was so new to Selden that he had a momentary flash of surprise, which lit up a number of possibilities; but she rose gallantly to the defence of her confusion, by saying, as its object approached: "That was why I was waiting for you–to thank you for having given me so many points!"
     "Ah, you can hardly do justice to the subject in such a short time," said Selden, as the Trenor girls caught sight of Miss Bart; and while she signalled a response to their boisterous greeting, he added quickly: "Won't you devote your afternoon to it? You know I must be off tomorrow morning. We'll take a walk, and you can thank me at your leisure."
     The afternoon was perfect. A deeper stillness possessed the air, and the glitter of the American autumn was tempered by a haze which diffused the brightness without dulling it.
     In the woody hollows of the park there was already a faint chill; but as the ground rose the air grew lighter, and ascending the long slopes beyond the high-road, Lily and her companion reached a zone of lingering summer. The path wound across a meadow with scattered trees; then it dipped into a lane plumed with asters and purpling sprays of bramble, whence, through the light quiver of ash-leaves, the country unrolled itself in pastoral distances.
     Higher up, the lane showed thickening tufts of fern and of the creeping glossy verdure of shaded slopes; trees began to overhang it, and the shade deepened to the checkered dusk of a beech-grove. The boles of the trees stood well apart, with only a light feathering of undergrowth; the path wound along the edge of the wood, now and then looking out on a sunlit pasture or on an orchard spangled with fruit.
     Lily had no real intimacy with nature, but she had a passion for the appropriate and could be keenly sensitive to a scene which was the fitting background of her own sensations. The landscape outspread below her seemed an enlargement of her present mood, and she found something of herself in its calmness, its breadth, its long free reaches. On the nearer slopes the sugar-maples wavered like pyres of light; lower down was a massing of grey orchards, and here and there the lingering green of an oak-grove. Two or three red farm-houses dozed under the apple-trees, and the white wooden spire of a village church showed beyond the shoulder of the hill; while far below, in a haze of dust, the high-road ran between the fields.
     "Let us sit here," Selden suggested, as they reached an open ledge of rock above which the beeches rose steeply between mossy boulders.
     Lily dropped down on the rock, glowing with her long climb. She sat quiet, her lips parted by the stress of the ascent, her eyes wandering peacefully over the broken ranges of the landscape. Selden stretched himself on the grass at her feet, tilting his hat against the level sun-rays, and clasping his hands behind his head, which rested against the side of the rock. He had no wish to make her talk; her quick-breathing silence seemed a part of the general hush and harmony of things. In his own mind there was only a lazy sense of pleasure, veiling the sharp edges of sensation as the September haze veiled the scene at their feet. But Lily, though her attitude was as calm as his, was throbbing inwardly with a rush of thoughts. There were in her at the moment two beings, one drawing deep breaths of freedom and exhilaration, the other gasping for air in a little black prison-house of fears. But gradually the captive's gasps grew fainter, or the other paid less heed to them: the horizon expanded, the air grew stronger, and the free spirit

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