had valiantly marched up and down the back stairs. And once he could no longer walk, he never came downstairs.
Marjorie and Sarah made their way cautiously toward the grand staircase that ran up the center of the house, admiring every inch and detail around them as they went, floors, marquetry, boiseries, moldings, windows, and chandeliers. The ceiling over the grand staircase was three stories high. It ran up the main body of the house. Above it was the attic where Stanley had lived, and below it the basement. But the staircase itself, in all its grandeur and elegance, took up a vast amount of space in the central part of the house.
The carpeting on it was faded and threadbare but looked as though it was Persian, and the fittings holding the carpet in place were exquisite antique bronze, with small cast antique lion's heads at the end of each rod. Every detail of the house was exquisite.
On the second floor, they found two more splendid living rooms, a day parlor facing the garden, a card room, a conservatory, where the grand piano had once been, and finally the ballroom they had both heard about. It was in fact an exact replica of the Hall of Mirrors in Versailles, and utterly beyond belief. As Sarah pulled the curtains back yet again, as she had in almost every room, she nearly cried. She had never seen anything so beautiful in her life. She couldn't even imagine now why Stanley had never used the house. It was much too beautiful to stand empty all these years, unloved. But grandeur on that scale, and elegance of the kind they were seeing, had clearly not been his thing. Only money was, which suddenly struck her as sad. She finally understood now what he had been saying to her. Stanley Perlman had not wasted his life, but in so many important ways, it had passed him by. He hadn't wanted the same thing to happen to her, and now she could see why. This house was the symbol of everything he had owned but never really had. He had never loved it or enjoyed it, or allowed himself to expand into a bigger life. The maid's room where he had spent three-quarters of a century was the symbol of his life, and everything he'd never had, neither companionship, nor beauty, nor love. Thinking about it made Sarah sad. She understood it better now.
As they reached the third floor, they were faced with enormous double doors at the head of the grand staircase. Sarah thought they were locked at first. She and Marjorie pulled and tugged and nearly gave up, when they suddenly sprang open, and revealed a suite of rooms so beautiful and welcoming, they had obviously been the master suite. Here the walls were painted a faded, barely discernible pale powder pink. The bedroom was a confection worthy of Marie Antoinette. It looked down onto the garden. There was a sitting room, a series of dressing rooms, and two extraordinary marble bathrooms, each one larger than Sarah's apartment, that had obviously been built for Lilli and Alexandre. The fixtures were exquisite, the floor in hers pink marble, and in his beige marble, of a quality worthy of the Uffizi in Florence.
There were once again two small sitting rooms on the same floor, flanking the entrance to the master suite, and on the opposite side of the house what must have been the nursery for their two children, obviously one for a girl and the other a boy. There were beautiful painted tiles in their dressing rooms and bathrooms, with flowers and sailboats on them. Each child had had a large bedroom, with big, sunny windows. There was an enormous playroom for both of them, and several smaller rooms that must have been for the governesses and maids who tended to their every need. And as she looked around with tender amazement, something occurred to Sarah. She turned and asked Marjorie a question.
“When Lilli vanished, did she take her children with her? If she did, no wonder it broke Alexandre's heart.” The poor man must have lost not only his beautiful young wife but the boy and girl who
Marjorie and Sarah made their way cautiously toward the grand staircase that ran up the center of the house, admiring every inch and detail around them as they went, floors, marquetry, boiseries, moldings, windows, and chandeliers. The ceiling over the grand staircase was three stories high. It ran up the main body of the house. Above it was the attic where Stanley had lived, and below it the basement. But the staircase itself, in all its grandeur and elegance, took up a vast amount of space in the central part of the house.
The carpeting on it was faded and threadbare but looked as though it was Persian, and the fittings holding the carpet in place were exquisite antique bronze, with small cast antique lion's heads at the end of each rod. Every detail of the house was exquisite.
On the second floor, they found two more splendid living rooms, a day parlor facing the garden, a card room, a conservatory, where the grand piano had once been, and finally the ballroom they had both heard about. It was in fact an exact replica of the Hall of Mirrors in Versailles, and utterly beyond belief. As Sarah pulled the curtains back yet again, as she had in almost every room, she nearly cried. She had never seen anything so beautiful in her life. She couldn't even imagine now why Stanley had never used the house. It was much too beautiful to stand empty all these years, unloved. But grandeur on that scale, and elegance of the kind they were seeing, had clearly not been his thing. Only money was, which suddenly struck her as sad. She finally understood now what he had been saying to her. Stanley Perlman had not wasted his life, but in so many important ways, it had passed him by. He hadn't wanted the same thing to happen to her, and now she could see why. This house was the symbol of everything he had owned but never really had. He had never loved it or enjoyed it, or allowed himself to expand into a bigger life. The maid's room where he had spent three-quarters of a century was the symbol of his life, and everything he'd never had, neither companionship, nor beauty, nor love. Thinking about it made Sarah sad. She understood it better now.
As they reached the third floor, they were faced with enormous double doors at the head of the grand staircase. Sarah thought they were locked at first. She and Marjorie pulled and tugged and nearly gave up, when they suddenly sprang open, and revealed a suite of rooms so beautiful and welcoming, they had obviously been the master suite. Here the walls were painted a faded, barely discernible pale powder pink. The bedroom was a confection worthy of Marie Antoinette. It looked down onto the garden. There was a sitting room, a series of dressing rooms, and two extraordinary marble bathrooms, each one larger than Sarah's apartment, that had obviously been built for Lilli and Alexandre. The fixtures were exquisite, the floor in hers pink marble, and in his beige marble, of a quality worthy of the Uffizi in Florence.
There were once again two small sitting rooms on the same floor, flanking the entrance to the master suite, and on the opposite side of the house what must have been the nursery for their two children, obviously one for a girl and the other a boy. There were beautiful painted tiles in their dressing rooms and bathrooms, with flowers and sailboats on them. Each child had had a large bedroom, with big, sunny windows. There was an enormous playroom for both of them, and several smaller rooms that must have been for the governesses and maids who tended to their every need. And as she looked around with tender amazement, something occurred to Sarah. She turned and asked Marjorie a question.
“When Lilli vanished, did she take her children with her? If she did, no wonder it broke Alexandre's heart.” The poor man must have lost not only his beautiful young wife but the boy and girl who
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