The Hanged Man’s Song

The Hanged Man’s Song by John Sandford Page B

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Authors: John Sandford
Tags: thriller
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turned a corner, and all three of us looked back: nothing good could happen to that kid, not as things were.
     
    WITH Carp’s name and phone number, I suggested to John that we access a local analog database and see if we could come up with an address.
    “Which database?” John asked. He was hot, unhappy, and mopped his forehead with a paper towel he’d taken out of the Willowby kitchen. “You got a number?”
    “It’s an old, old,
old
geek joke,” LuEllen said, sounding deeply bored. “He means, we look in the phone book.”
    “You can kiss
my
analog,” John said to me. He looked out the window. “How can it be so hot here? I thought Longstreet was hot.”
    “It’s not the heat,” I began, earnestly.
    “Shut up,” LuEllen said.
    We took a while finding a phone book, but finally got one at a shopping center. While LuEllen went off and got three cinnamon rolls, I found one Carp in the White Pages-a Melissa Carp, in Slidell, which was on the opposite shore of Lake Pontchartrain. The phone number was right.
    “We’re on a roll,” John said. “Let’s go right now.” On the way over, still looking out the window, he said, “That fuckin’ kid.”
     
    WE HEADED up to Slidell on I-10, not one of the nation’s scenic roads. The Carp place was a mobile home in a mobile-home neighborhood on the east side of town, or maybe out of town, to the east. From the street, nothing was visible except a chin-high concrete-block wall, over which we could see the tops of the homes and willowy-looking trees clogged with Spanish moss.
    “These places are a problem,” LuEllen said, as we cruised by. “I know people who live in places like this. Everything is close together and the streets are more like lanes, and you can’t get in and out fast, and everybody sees you coming and going.”
    “That’s encouraging,” John said.
    “And they’re pretty segregated,” LuEllen said. “The ones I’ve been in, anyway. If this is a white park, you’re gonna be noticeable, John.”
    “Even better.”
     
    IN THE end, we drove through just at dusk, looking for the right place. All the streets were named after trees, like Cherry, Chestnut, Olive, and Peach. As LuEllen had suggested, the lots were small, and cut at odd angles to each other, some neatly kept, some not. We went past a couple who were barbequing on a small grill, then wandered past a double lot with an aboveground pool to one side of the home; we saw a few young kids here and there, and one older kid blading along the main drag, hands locked behind his back, earphones cutting him off from the world. Other than that, the streets were mostly empty, probably because it was still so hot.
    The streets were marked, at least, and we found Quince Street at the southeast corner of the neighborhood, a loop that ran just inside the concrete-block wall. The Carp place was a once-forest-green mobile home, now sun-faded, with a white roof, closed-curtained windows, and a rickety carport at the far end. A dusty red Toyota Corolla squatted in the carport. Light could be seen through a back window, but the front of the place was dark.
    “What do you want to do?” LuEllen asked.
    “How about if we drive around for two minutes, figure out these roads, then you take the car while John and I brace the guy? We look enough like cops.”
    “I wonder who Melissa Carp is? Mother? Wife? Ex-wife? Sister?”
     
    WE DROVE around until we were oriented, then LuEllen dropped us off a hundred feet down the street from Carp’s. Most of the homes around us showed lights, or the bluish-white glow of TVs. I could hear somebody playing an old Cream recording called “Strange Brew” somewhere down the block; other than that, it was all the hum of air conditioners.
    “If I was a cop, walking up to doors like this would scare the shit out of me,” John muttered as we walked up a flagstone walk to Carp’s front door. I knocked, and the door rattled in its frame, and we felt a change from

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