made her immortal: my old friend Will Shakespeare wrote a play about a Danish prince called Hamlet who moons about the stage wondering whether he should kill his murderous mother. I don't like it and I told Will that he should reduce it to one act with Hamlet throttling the silly bitch immediately! But, you know old Will Shakespeare. Shy and quiet, he hid his face behind his hands and laughed.
Nevertheless, I helped him out with one scene where this Danish prince sends his betrothed Ophelia mad. (May I say, having watched the play, I'm not surprised.) Anyway poor Ophelia emerges as a tragic woman who drowns herself in a river, flowers in her hand, hair spread out like a veil around her. Well, Ophelia was really Johanna and the river is the Thames. I always think it was a nice touch.
We walked back to the quayside, Benjamin still disconsolate.
'Can't anything be done?' I asked. I searched round for a crumb of comfort. 'Master,' I added rather hastily, 'some people spend their Purgatory after death but individuals like Taplow or poor Johanna go through Purgatory here on earth.'
(I was always like that, ever ready to give a tactful word of comfort.) Benjamin gripped my wrist and nodded but, just as we were about to step into the boat, he clapped his hands together. 'Purgatory,' he muttered. 'Yes, Master?'
He glanced at me strangely. 'When is Taplow about to die?' I looked up at the sun. 'Two hours past noon. Why?'
Benjamin pulled me into the boat. 'Then come quickly. We must see him. We have to see him die.'
We arrived too late. Smithfield Common was packed. The horse fair had been abandoned, the stalls cleared and the shops deserted. All of London had poured on to the great open waste, heads craned towards the stake on the brow of a small hill just next to a three-armed gibbet. The crowd was thick as hairs on a dog and we were unable to force our way through. As I have said, all of London was there, bodies reeking of sweat beneath rags, serge and silk, minds and hearts intent on watching a man being burnt to death. We peered over their heads.
Taplow, standing on a high stool, was already tied to the stake, his arms and legs tightly pinioned, head and face partially covered by a white fool's hood. Already small heaps of green faggots were laid about the stool, with dry weeds on top as high as the victim's groin. The masked executioners walked round as if they were involved in some artistic endeavour, positioning the faggots for the best effect. The crowd, held back by serried ranks of soldiers, was already growing restless and shouts of 'Get on with it!', 'Let the poor sod die!', rang out, followed by the usual volleys of refuse. 'We must get closer,' Benjamin muttered. 'Why, Master?' I begged. 'A man is going to die.'
I stood on tiptoe. 'It's too late. The torch has already been put to the kindling.'
I watched the executioner light the faggots but apparently the kindling was too green and the fire didn't catch. Benjamin looked in desperation at the gatehouse of St Bartholomew's Priory: the balcony was already full of important, well-dressed people who had brought their children for a day out; they had also brought sugared apples, dishes of marzipan and jugs of wine to make their enjoyment complete.
Benjamin pulled one of Wolsey's warrants from his pouch, one of those old letters written by the Cardinal so Benjamin could gain access to any place he wanted. My master seized me by the arm and pulled me over. The captain of the guard outside St Bartholomew's let us through and we went under the darkened archway and up some steps into the chamber which led out on to the balcony. Once again Benjamin used his warrant, pushing his way through the grumbling spectators until we had a good view of both the execution scene and Smithfield Common. The catcalls from the crowd had now intensified at the executioners' bungling of their job.
(Believe me, it's a terrible way to die! Once, whilst in Venice, the Inquisition caught me,
Nevertheless, I helped him out with one scene where this Danish prince sends his betrothed Ophelia mad. (May I say, having watched the play, I'm not surprised.) Anyway poor Ophelia emerges as a tragic woman who drowns herself in a river, flowers in her hand, hair spread out like a veil around her. Well, Ophelia was really Johanna and the river is the Thames. I always think it was a nice touch.
We walked back to the quayside, Benjamin still disconsolate.
'Can't anything be done?' I asked. I searched round for a crumb of comfort. 'Master,' I added rather hastily, 'some people spend their Purgatory after death but individuals like Taplow or poor Johanna go through Purgatory here on earth.'
(I was always like that, ever ready to give a tactful word of comfort.) Benjamin gripped my wrist and nodded but, just as we were about to step into the boat, he clapped his hands together. 'Purgatory,' he muttered. 'Yes, Master?'
He glanced at me strangely. 'When is Taplow about to die?' I looked up at the sun. 'Two hours past noon. Why?'
Benjamin pulled me into the boat. 'Then come quickly. We must see him. We have to see him die.'
We arrived too late. Smithfield Common was packed. The horse fair had been abandoned, the stalls cleared and the shops deserted. All of London had poured on to the great open waste, heads craned towards the stake on the brow of a small hill just next to a three-armed gibbet. The crowd was thick as hairs on a dog and we were unable to force our way through. As I have said, all of London was there, bodies reeking of sweat beneath rags, serge and silk, minds and hearts intent on watching a man being burnt to death. We peered over their heads.
Taplow, standing on a high stool, was already tied to the stake, his arms and legs tightly pinioned, head and face partially covered by a white fool's hood. Already small heaps of green faggots were laid about the stool, with dry weeds on top as high as the victim's groin. The masked executioners walked round as if they were involved in some artistic endeavour, positioning the faggots for the best effect. The crowd, held back by serried ranks of soldiers, was already growing restless and shouts of 'Get on with it!', 'Let the poor sod die!', rang out, followed by the usual volleys of refuse. 'We must get closer,' Benjamin muttered. 'Why, Master?' I begged. 'A man is going to die.'
I stood on tiptoe. 'It's too late. The torch has already been put to the kindling.'
I watched the executioner light the faggots but apparently the kindling was too green and the fire didn't catch. Benjamin looked in desperation at the gatehouse of St Bartholomew's Priory: the balcony was already full of important, well-dressed people who had brought their children for a day out; they had also brought sugared apples, dishes of marzipan and jugs of wine to make their enjoyment complete.
Benjamin pulled one of Wolsey's warrants from his pouch, one of those old letters written by the Cardinal so Benjamin could gain access to any place he wanted. My master seized me by the arm and pulled me over. The captain of the guard outside St Bartholomew's let us through and we went under the darkened archway and up some steps into the chamber which led out on to the balcony. Once again Benjamin used his warrant, pushing his way through the grumbling spectators until we had a good view of both the execution scene and Smithfield Common. The catcalls from the crowd had now intensified at the executioners' bungling of their job.
(Believe me, it's a terrible way to die! Once, whilst in Venice, the Inquisition caught me,
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