shelf in his bedroom. âDo you remember that toy?â âI do. And you will be amused to know that the tractor is still alive and well, at the Toy Museum in Stockholm. They put out a call for old original toys ten years ago.â âReally?â Vanger chuckled with delight. âLet me show you â¦â The old man went over to the bookshelf and pulled a photograph album from one of the lower shelves. Blomkvist noticed that he had difficulty bending over and had to brace himself on the bookshelf when he straightened up. He laid the album on the coffee table. He knew what he was looking for: a black-and-white snapshot in which the photographerâs shadow showed in the bottom left corner. In the foreground was a fair-haired boy in shorts, staring at the camera with a slightly anxious expression. âThis is you. Your parents are sitting on the garden bench in the background. Harriet is partly hidden by your mother, and the boy to the left of your father is Harrietâs brother, Martin, who runs the Vanger company today.â Blomkvistâs mother was obviously pregnantâhis sister was on the way. He looked at the photograph with mixed feelings as Vanger poured coffee and pushed over the plate of rolls. âYour father is dead, I know. Is your mother still alive?â âShe died three years ago,â Blomkvist said. âShe was a nice woman. I remember her very well.â âBut Iâm sure you didnât ask me to come here to talk about old times you had with my parents.â âYouâre right. Iâve been working on what I wanted to say to you for several days, but now that youâre actually here I donât quite know where to begin. I suppose you did some research, so you know that I once wielded some influence in Swedish industry and the job market. Today Iâm an old man who will probably die fairly soon, and death perhaps is an excellent starting point for our conversation.â Blomkvist took a swallow of black coffeeâplainly boiled in a pan in true Norrland styleâand wondered where this was going to lead. âI have pain in my hip and long walks are a thing of the past. One day youâll discover for yourself how strength seeps away, but Iâm neither morbid nor senile. Iâm not obsessed by death, but Iâm at an age when I have to accept that my time is about up. You want to close the accounts and take care of unfinished business. Do you understand what I mean?â Blomkvist nodded. Vanger spoke in a steady voice, and Blomkvist had already decided that the old man was neither senile nor irrational. âIâm mostly curious about why Iâm here,â he said again. âBecause I want to ask for your help with this closing of accounts.â âWhy me? What makes you think Iâd be able to help you?â âBecause as I was thinking about hiring someone, your name cropped up in the news. I knew who you were, of course. And maybe itâs because you sat on my knee when you were a little fellow. Donât misunderstand me.â He waved the thought away. âI donât look to you to help me for sentimental reasons. It was just that I had the impulse to contact you specifically.â Mikael gave a friendly laugh. âWell, I donât remember being perched on your knee. But how could you make the connection? That was in the early sixties.â âYou misunderstood me. Your family moved to Stockholm when your father got the job as the workshop foreman at Zarinderâs Mechanical. I was the one who got him the job. I knew he was a good worker. I used to see him over the years when I had business with Zarinderâs. We werenât close friends, but we would chat for a while. The last time I saw him was the year before he died, and he told me then that you had got into journalism school. He was extremely proud. Then you became famous with the story of the bank robber