joined Laura's class, and the two were soon good friends.
Tilly was a short, plump girl, with white teeth, rather boyish hands, and the blue-grey eyes predominant in Australia. She was usually dressed in silk, and she never wore an apron to protect the front of her frock. Naturally, too, she had a bottomless supply of pocket-money: if a subscription were raised, she gave ten shillings where others gave one; and on the Saturday holidays she flung about with half-crowns as Laura would have been afraid to do with pennies.
For the latter with her tiny dole, which had to last so and so long, since no more was forthcoming, it was a difficult task to move gracefully among companions none of whom knew what it meant to be really poor. Many trivial mortifications were the result; and countless small subterfuges had to be resorted to, to prevent it leaking out just how paltry her allowance was.
But the question of money was, after all, trifling, compared with the infinitely more important one of dress.
With regard to dress, Laura's troubles were manifold. It was not only that here, too, by reason of Mother's straitened means, she was forced to remain an outsider: that, in itself, she would have borne [P.101] lightly; for, as little girls go, she was indifferent to finery. Had she had a couple of new frocks a year, in which she could have been neat and unremarkable, she would have been more than content. But, from her babyhood on, Laura—and Pin with her—had lamented the fact that children could not go about clad in sacks, mercifully indistinguishable one from another. For they were the daughters of an imaginative mother, and, balked in other outlets, this imagination had wreaked itself on their clothing. All her short life long, Laura had suffered under a home-made, picturesque style of dress; and she had resented, with a violence even Mother did not gauge, this use of her young body as a peg on which to hang fantastic garments. After her tenth birthday she was, she thanked goodness, considered too old for the quaint shapes beneath which Pin still groaned; but there remained the matter of colour for Mother to sin against, and in this she seemed to grow more intemperate year by year. Herself dressed always in the soberest browns and blacks, she liked to see her young flock gay as Paradise birds, lighting up a drab world; and when Mother liked a thing, she was not given to consulting the wishes of little people. Those were awful times when she went, say, to Melbourne, and bought as a bargain a whole roll of cloth of an impossible colour, which had to be utilised to the last inch; or when she unearthed, from an old trunk, some antiquated garment to be cut up and reshaped—a Paisley shawl, a puce ball-dress, even an old pair of green rep curtains.
It was thus a heavy blow to Laura to find, on going home, that Mother had already bought her new spring dress. In one respect all was well: it had been made by the local dressmaker, and consequently had not the home-made cut that Laura abhorred. But the colour! Her heart fell to the pit of her stomach the moment she set eyes on it, and only with difficulty did she restrain her tears.—Mother had chosen a vivid purple, of a crude, old-fashioned shade.
Now, quite apart from her personal feelings, Laura had come to know very exactly, during the few months she had been at school, the views held by her companions on the subject of colour. No matter how sumptuous or how simple the material of which the dress was made, it must be dark, or of a delicate tint. Brilliancy was a sign of vulgarity, and put the wearer outside the better circles. Hence, at this critical juncture, when Laura was striving to ape her fellows in all vital matters, the unpropitious advent of the purple threatened to undo her.
After her first dismayed inspection, she retreated to the bottom of the garden to give vent to her feelings.
"I shall never be able to wear it," she moaned. "Oh, how COULD she buy such a thing? And
Tilly was a short, plump girl, with white teeth, rather boyish hands, and the blue-grey eyes predominant in Australia. She was usually dressed in silk, and she never wore an apron to protect the front of her frock. Naturally, too, she had a bottomless supply of pocket-money: if a subscription were raised, she gave ten shillings where others gave one; and on the Saturday holidays she flung about with half-crowns as Laura would have been afraid to do with pennies.
For the latter with her tiny dole, which had to last so and so long, since no more was forthcoming, it was a difficult task to move gracefully among companions none of whom knew what it meant to be really poor. Many trivial mortifications were the result; and countless small subterfuges had to be resorted to, to prevent it leaking out just how paltry her allowance was.
But the question of money was, after all, trifling, compared with the infinitely more important one of dress.
With regard to dress, Laura's troubles were manifold. It was not only that here, too, by reason of Mother's straitened means, she was forced to remain an outsider: that, in itself, she would have borne [P.101] lightly; for, as little girls go, she was indifferent to finery. Had she had a couple of new frocks a year, in which she could have been neat and unremarkable, she would have been more than content. But, from her babyhood on, Laura—and Pin with her—had lamented the fact that children could not go about clad in sacks, mercifully indistinguishable one from another. For they were the daughters of an imaginative mother, and, balked in other outlets, this imagination had wreaked itself on their clothing. All her short life long, Laura had suffered under a home-made, picturesque style of dress; and she had resented, with a violence even Mother did not gauge, this use of her young body as a peg on which to hang fantastic garments. After her tenth birthday she was, she thanked goodness, considered too old for the quaint shapes beneath which Pin still groaned; but there remained the matter of colour for Mother to sin against, and in this she seemed to grow more intemperate year by year. Herself dressed always in the soberest browns and blacks, she liked to see her young flock gay as Paradise birds, lighting up a drab world; and when Mother liked a thing, she was not given to consulting the wishes of little people. Those were awful times when she went, say, to Melbourne, and bought as a bargain a whole roll of cloth of an impossible colour, which had to be utilised to the last inch; or when she unearthed, from an old trunk, some antiquated garment to be cut up and reshaped—a Paisley shawl, a puce ball-dress, even an old pair of green rep curtains.
It was thus a heavy blow to Laura to find, on going home, that Mother had already bought her new spring dress. In one respect all was well: it had been made by the local dressmaker, and consequently had not the home-made cut that Laura abhorred. But the colour! Her heart fell to the pit of her stomach the moment she set eyes on it, and only with difficulty did she restrain her tears.—Mother had chosen a vivid purple, of a crude, old-fashioned shade.
Now, quite apart from her personal feelings, Laura had come to know very exactly, during the few months she had been at school, the views held by her companions on the subject of colour. No matter how sumptuous or how simple the material of which the dress was made, it must be dark, or of a delicate tint. Brilliancy was a sign of vulgarity, and put the wearer outside the better circles. Hence, at this critical juncture, when Laura was striving to ape her fellows in all vital matters, the unpropitious advent of the purple threatened to undo her.
After her first dismayed inspection, she retreated to the bottom of the garden to give vent to her feelings.
"I shall never be able to wear it," she moaned. "Oh, how COULD she buy such a thing? And
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