The Folly

The Folly by Ivan Vladislavic Page A

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Authors: Ivan Vladislavic
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relationships between them. Then he took the lead-light and explored the spangled darkness, pointing out nooks and crannies among the glittering constellations underfoot, and Malgas flew the nails to those spots.
    It was done.
    A half-jack of Johnny Walker and a nip of Drambuie had been laid down in the portmanteau and now came to light. “I’ve been saving them for a rainy day,” Nieuwenhuizen explained, “but this star-crossed evening will do.” He also produced a cocktail shaker, made out of a lampshade and a surgical glove, and in two shakes they had their feet up and were sipping cocktails out of tin mugs.
    “It’s a little late for sundowners, and a little early for nightcaps, but cheers anyway. To you and yours!”
    His host’s gratitude, so deeply felt and tastefully expressed, brought a lump to Malgas’s throat, and he had to wash it down with a slug of the mixture before he could voice his own appreciation for everything.
    Then Nieuwenhuizen said, “If you don’t mind I’d like to go over the plan now, while it’s fresh. If you’re not ready for such heady stuff, perhaps you should block your ears. Better still, go home to the Mrs. I don’t want to cause any trouble. Go on, take your drink with you.”
    “I’d be grateful if I could stay,” Malgas protested. “Plans aren’t my thing, I admit, I’m a supplier at heart – but I’ve got to start somewhere.”
    “That’s my boy, I was hoping you’d say that. Are you comfortable? Okay … where to begin? Yes: the corners. See that nail there, on the edge of the shadows, and the two behind it, with their heads together?Well, that, my Malgas, delimits the north-eastern extremity of the rumpus room.”
    Malgas gasped.
    “That one there, in line with the letter-box, is the left-hand what’s-its-name … jamb of the front door. Not that one,
my
left.”
    The long shadow of Nieuwenhuizen’s forefinger brushed over the smooth heads of the nails, weaving a web of diaphanous intent in which Malgas was willingly ensnared and cocooned. Nieuwenhuizen’s hand, moving now with the delicate poise of a spirit-level, now with the brute force of a bulldozer blade, levelled terraces and threw up embankments, laid paving and plastered walls. With a touch, his skittery fingers could open a tracery of light and air in a concrete slab, and through it his papery palms would waft a sea breeze laden with salt and the fruity scents of the orchard. Apricot, blueberry, coconut-milk. He made it seem so simple.
    He began with the situation and dimensions of the rooms, which were many and various. Then he took the rooms one at a time and elaborated on the location of doors and windows, built-in cupboards, electricity outlets, switches and light fixtures. He catalogued special features, such as burglarproofing, air-conditioning and knotty-pine ceilings. He dwelt upon the observation deck, the rumpus room and the bomb shelter, all of which, he assured Malgas, had an integral place in the conception.
    “Fascinating,” said Malgas, shaking off the narcotic effects of the presentation. “But I must admit that I still can’t really see it. There’s no point in lying about it, is there?”
    “Of course not. You’re finding it heavy going because the plan isn’t quite finished; we’ve still got to join up the dots. When that’s done it will all become clear. For the time being, don’t lose heart, and practise, practise, practise. You know what they say.”
    “I’ll try. But I feel so clumsy.”
    “Let me give you a tip. I find that it helps if I … I shouldn’t be telling you this, I’m rushing you again. Let’s wait until you begin to see on your own.”
    “No, no, please go on,” Malgas pleaded, “I’ll stop you if it’s too much too soon.”
    “Just say when. I find that it helps if I think along the following lines: layers, levels; colour schemes, cutaway views and cross-sections; also surfaces and sheens; and last but not least, varnishes and

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