The Flanders Panel

The Flanders Panel by Arturo Pérez-Reverte Page A

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Authors: Arturo Pérez-Reverte
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was very thin and most likely of medium height. His hair was brushed straight back, with no parting, and was receding at the temples. He had large ears, a slightly aquiline nose, and his dark eyes were set deep in their sockets, as if viewing the world with distrust. He completely lacked the air of intelligence Julia now believed essential in a chess player; instead, his expression was one of indolent apathy, a kind of deep-seated weariness that left him utterly indifferent to his surroundings. Julia, disappointed, thought he had the look of a man who expects very little from himself, apart from making the correct moves on a chessboard.
    Nevertheless - or perhaps precisely because of that, because of the look of infinite tedium written on his impassive features — when his opponent moved his king one square back and he then slowly stretched out his right hand towards the remaining pieces, the silence in that corner of the room became absolute. Julia, perhaps because she didn’t understand what was going on, realised that the spectators did not like him, that they felt not the least warmth towards him. She read in their faces a grudging acceptance of his superiority at the chessboard, for, as enthusiasts of the game, they could not help but see the slow, precise, implacable advance of the pieces he was moving.
    “Check,” he said again. He’d made an apparently simple move, merely advancing a modest pawn one square. But his opponent stopped his drumming and rested his fingers instead on his temples, as if to calm a troublesome throbbing. Then he moved the white king diagonally back another square. He seemed to have three squares on which he would be safe, but, for some reason that escaped Julia, he chose that one. An admiring whisper round him seemed to suggest that the move had been an opportune one, but his opponent did not react.
    “That would have been checkmate,” he said, and there wasn’t the slightest hint of triumph in his voice; he was merely informing his opponent of an objective fact. There was no pity there either. He pronounced those words before making another move, as if he felt it unnecessary to accompany them with a practical demonstration. And then, almost reluctantly, without appearing in the least affected by the incredulous look on the face of his opponent and on the faces of a good many spectators, he made a diagonal move with his bishop right across the board, bringing it, as it were, from some far distant place, and setting it down near the enemy king, but not near enough to constitute any immediate threat. Amidst the rumble of remarks that burst out around the table, Julia looked at the board in some bewilderment. She didn’t know much about chess, but enough to know that checkmate involved a direct threat to the king. And the white king appeared to be safe. Hoping for clarification, she looked first at Cesar and then at Cifuentes. The latter was smiling good-naturedly, shaking his head in admiration.
    “It would, in fact, have been mate in three,” he told Julia. “Whatever he did, the white king had no escape.”
    “Then I don’t understand,” said Julia. “What happened?”
    Cifuentes gave a short laugh.
    “That black bishop was the piece that could have delivered the
coup de grace,
although, until he moved it, none of us could see that. What happened, though, was that this gentleman, despite knowing exactly which move to make, chose to take it no further. He moved the bishop to show us what would have been the correct move, but he deliberately placed it on the wrong square, thus rendering it completely harmless.”
    “I still don’t understand,” said Julia. “Doesn’t he want to win the game?”
    “That’s the odd thing. He’s been coming here for five years now, and he’s the best chess player I know, but I’ve never once seen him win.”
    At that moment, the chess player looked up, and his eyes met Julia’s. All his poise, all the confidence he’d shown during the

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