himself drifting into private sorrow. He glanced at a plaque that someone had given him the previous Christmas. MY BROTHER HURTS. I SHARE HIS PAIN. I MEET GOD IN HIM, he read. A failed encounter. He blamed himself. He had mapped the streets of his brother's torment, yet never had walked them; or so he believed. He thought that the pain which he felt was his own.
At last the visitor looked at his watch. It was time for lunch in the campus refectory. He rose and started to leave. Then paused to glance at a current novel on Karras' desk.
"Have you read it?" asked Karras.
The other shook his head. "No, I haven't. Should I?"
"I don't know. I just finished it and I'm not at all sure that I really understand it," Karras lied. He picked up the book and handed it over. "Want to take along? You know, I'd really like to hear someone else's opinion."
"Well, sure," said the Jesuit, examining the copy on the flap of the dust jacket. "I'll try to get it back to you in a couple of days."
His mood seemed brighter.
As the screen door creaked with his departure, Karras felt momentary peace. He picked up his breviary and stepped out to the courtyard, where he slowly paced and said his Office.
In the afternoon, he had still another visitor, the elderly pastor of Holy Trinity, who took a chair by the desk and offered condolences on the passing of Karras' mother.
"Said a couple of Masses for her, Damien. And one for you," he wheezed with the barest trace of a brogue.
"That was thoughtful of you, Father. Thank you very much."
"How old was she?"
"Seventy."
"A good old age."
Karras fixed his gaze on an altar card that the pastor had carried in with him. One of three employed in the Mass, it was covered in plastic and inscribed with a portion of the prayers that were said by the priest. The psychiatrist wondered what he was doing with it.
"Well, Damien, we've had another one of those things here today. In the church, y'know. Another desecration."
A statue of the Virgin at the back of the church had been painted like a harlot, the pastor told him. Then he handed the altar card to Karras. "And this one the morning after you'd gone, y'know, to New York. Was it Saturday? Saturday. Yes. Well, take a look at that. I just had a talk with a sergeant of police, and--- well... well, look at this card, would you, Damien?"
As Karras examined it, the pastor explained that someone had slipped in a typewritten sheet between the original card and its cover. The ersatz text, though containing some strikeovers and various typographical errors, was in basically fluent and intelligible Latin and described in vivid, erotic detail an imagined homosexual encounter involving the Blesses Virgin Mary and Mary Magdalene.
"That's enough, now, you don't have to read it all," said the pastor, snapping back the card as if fearing that it might be an occasion of sin. "Now that's excellent Latin; I mean, it's got style, a church Latin style. Well, the sergeant says he talked to some fellow, a psychologist, and he says that the person's been doin' this all--- well, he could be a priest, y'know, a very sick priest. Do you think?"
The psychiatrist considered for a while. Then nodded. "Yes. Yes, it could. Acting out a rebellion, perhaps, in a state of complete somnambulism. I don't know. It could be. Maybe so."
"Can you think of any candidates, Damien?"
"I don't get you."
"Well, now, sooner or later they come and see you, wouldn't you say? I mean, the sick ones, if there are any, from the campus. Do y'know any like that? I mean with that kind of illness, y'know."
"No, I don't."
"No, I didn't think you'd tell me."
"Well, I wouldn't know anyway, Father. Somnambulism is a way of resolving any number of possible conflict situations, and the usual form of resolution is symbolic. So I really wouldn't know. And if it is a somnambulist, he's probably got a complete posterior
M McInerney
J. S. Scott
Elizabeth Lee
Olivia Gaines
Craig Davidson
Sarah Ellis
Erik Scott de Bie
Kate Sedley
Lori Copeland
Ann Cook