heâll turn up,â I said. âHe tends to wander off. Heâll be there when we need him.â
Phillip looked at his watch. âWell, I need him now.â He looked at Mom. âI want to leave in twenty minutes. Think you can get everyone moving in the right direction? I need to direct breaking camp.â
âBut weâre not really breaking camp for several days,â she said.
Phillip took a deep breath. âDear God, give me patience. Of course weâre not breaking camp permanently today, but on the day we break camp, the weather might be lousy, or something else might go wrong. We need to get our shots when we can, not necessarily in chronological order. When the video airs, it will look like first-person present tense. Iâll make that happen in the editing room. Not here. Weâre shooting raw video. The shots are like words. Weâll use the shots to tell a story. It takes hours and hours of film to make five minutes of actual air time . . .â
I smiled. For the first time, I kind of liked Phillip. Vincent would totally understand what Phillip was saying. It was exactly how Vincent explained the writing process.
Phillip continued talking to my mom. âLetâs get moving. If Zopa shows up, he can lead the group to the cliff. If he doesnât, youâll be leading them, providing you know where it is.â
âI know where it is, but Iâm a little concerned about Zopa. We might want toââ
Phillip raised his voice. âThis is not summer camp! Youâre not a bunch of little kids. We have a limited amount of time to pull this thing off. Weâre not waiting on Zopa or anyone else. Letâs get moving!â
Everyone got moving.
âWhat are you smiling about?â Mom asked when we got to our tents.
âPhillip. I think he just took charge.â
âYou canât tell people youâre in charge. You have to show people, and I guess thatâs exactly what he just did, but Iâm still worried about Zopa.â
âHe disappears,â I said. âHeâll show up when we need him.â
âWhere do you think he is?â
I shrugged. But I noticed that the camel and the donkey were no longer tied up outside his tent.
Â
ZOPA HAD NOT RETURNED by the time we left camp. Cindy and Ethan stayed behind. Phillip didnât say a word to either one of them that I saw. I told Ethan to tell Zopa where we were headed if he happened to return, which was probably unnecessary. Zopa would know where we were going. He always did.
JR, Jack, and Will recorded our every move and word under Phillipâs direction, which meant they had to run across the scree to get in front of us, film us passing, then run ahead again, covering twice as much ground as we were, with heavier equipment. Not easy after falling off a cliff the night before.
(Note to self:
Do not become a videographer.
)
But they didnât complain. It was as if the project was fueling them with superhuman endurance. Phillip seemed to have come into his own too, making suggestions for shots, asking us interview questions as we walked. I think having Cindy dump him, if that was what sheâd done, had reminded him what he was there for. He was actually smiling from time to time, telling everyone they were doing a great job. Rafe tried to hog Alessia, but every time Phillip caught him doing this, he broke them apart, making Alessia walk alone or with one of us. Iâd caught a couple of Alessiaâs answers to Phillipâs questions, and it was clear to me who was going to be the star of the show.
When the cliff came into view, Phillip slowed us down because he needed to pick out what he called the âlong shot.â I wasnât sure what he meant by this, so I asked JR.
âPhillip hasnât told you what heâs doing yet?â
âNo.â
âI donât think itâs a big secret, and itâs kind of cool. Youâre
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