bay
window, looked through the net curtain and asked:
âAre you waiting for the Brussels
train?â
It was a small café behind the
Guillemins railway station. The large room was clean, the light-coloured floor tiles
had been newly washed and the tables carefully polished.
âCome back and sit down,â
muttered the man sitting in front of a glass of beer.
âPromise youâll behave
yourself, then?â
And the woman sat down, lifted the
manâs hand from the banquette where it was trailing, and placed it on the
table.
âYouâre a salesman, are
you?â
âWhat makes you think
that?â
âOh, nothing. I donât know.
No! Stop it! If you donât keep your hands to yourself, Iâm going to
stand at the door. Tell me what you want to drink instead. Same again? One for me,
too?â
What made this café seem somehow
difficult to place was perhaps its very cleanliness, the perfect order, and a
feeling that it was more like a domestic interior than a public establishment. The
counter was very small, without a beer pump, and there were scarcely as many as
twenty glasses on the shelves. On a
table by the window lay some sewing, and elsewhere a basket of string beans, which
someone had started to prepare for cooking.
It was tidy. It smelled of soup, not
alcohol. Anyone going in would feel they were disturbing a domestic scene.
The woman, who was about thirty-five,
was buxom, with something both respectable and maternal about her. She kept pushing
away the hand that the timid customer was trying to put on her knee.
âWhat line are you in?
Foodstuffs?â
Suddenly she listened. A staircase led
from the café straight to the first floor. A sound could be heard as of someone
getting out of bed.
âExcuse me a moment.â
She went to listen, then into the
passageway, calling:
âMonsieur Henry!â
When she returned to the customer, he
was looking nervous, the more so when a man, bare-necked and in shirt-sleeves, came
in from the back room, and tiptoed up the stairs. They could see his legs, then
nothing.
âWhat is it?â
âNothing. Just this young man who
got drunk last night â we put him to bed.â
âAnd Monsieur Henry
is â¦Â your husband?â
She laughed, which made her large soft
breasts quiver.
âHeâs the boss. Iâm
just the waitress. Careful, Iâm sure someone can see you.â
âBut I would
like â¦â
âWhat?â
The man was red in the face. He was
unsure now what
was and was not
permitted. He gazed at his companionâs plump tempting flesh with shining
eyes.
âCanât we be alone for a few
minutes?â he whispered.
âAre you crazy? What for? This is
a respectable house.â
She stopped short and listened once
more. An argument was taking place upstairs. Monsieur Henry was replying in a calm,
controlled voice to someone who was complaining loudly.
âHeâs just a kid,â the
big woman explained. âMakes you feel sorry for him. Not twenty years old, but
he drank himself silly. And he was paying for everyoneâs drinks, showing off,
and a lot of people took advantage.â
The door was opening upstairs. The
voices became clearer.
âI tell you I had hundreds of
francs in my pockets!â The young man was wailing. âIâve been
robbed! I want my money!â
âCalm down. There are no thieves
here. If you hadnât been as tight as a tickââ
âBut you served me the
drinksââ
âIf I serve drinks, itâs
because I expect people to have the sense to keep an eye on their wallets. And even
so, I had to stop you. You went and pulled in some girl off the street, because you
said the waitress wasnât being nice to you. Then you wanted a room for the
night. And I donât know what
M McInerney
J. S. Scott
Elizabeth Lee
Olivia Gaines
Craig Davidson
Sarah Ellis
Erik Scott de Bie
Kate Sedley
Lori Copeland
Ann Cook