The Cooperman Variations

The Cooperman Variations by Howard Engel Page B

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Authors: Howard Engel
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To tell you the truth, I don’t think Sykes himself knows what he thinks happened. All he’s doing is hedging his bets. That’s the best he can do. He’s also making sure that Bob Foley’s suicide is properly gone into. Foley may have been pissed off at the Vic Vernon people, but even Vic Vernon doesn’t drive everybody to suicide. What do you know about him?”
    “Vic’s an egomaniacal—”
    “Not Vernon. You told me about him already. I mean Foley.”
    “Bob? I don’t know. He was a good technician. One of the best, so I understand. I don’t deal directly with the grips, riggers, lighting and sound people, Benny. The job just won’t let me. I know that there are cameramen, and I recognize most of them, but that’s out of my realm. Bob Foley I know by reputation. He was good at what he did. So good that Dermot Keogh got him to do all of his last Canadian recordings. Wouldn’t work with anybody else.”
    “Yesterday in the car you mentioned a foundation. Raymond Devlin spoke of it too.”
    “Oh, yes. Bob was one of the trustees of Dermot’s foundation. Under Dermot’s will, Raymond set up the Plevna Foundation. Don’t ask me what Plevna means. The foundation basically establishes bursaries for brilliant but poor music scholars, and thinks up new ways to spend Dermot’s posthumous earnings, which are considerable.”
    “How did that happen? Dermot was a well-known, world-famous celebrity; Foley a fine, but obscure, technician. Wasn’t there some social and economic distance between them?”
    “Dermot was many things, Benny, some of them maddening, but he was not a snob. He and Foley, in the course of their recording work for the last two years of his life, grew close to one another. Dermot attended Foley’s father’s funeral. Foley had keys to Dermot’s downtown studio. He drives Dermot’s old Jaguar. I heard—this is hearsay, because I didn’t get it first-hand— that Foley once complained that working with Dermot included walking his dog, staying up all night and moving furniture from Toronto to Dermot’s summer place. Dermot loved the diamond in the rough, Benny. He introduced me to amateurish ivory carvers with no talent, a virtuoso bubblegum artist and a charming panhandler who made his home at the corner of Bloor and Walmer Road. Outside, on the street.”
    “How old was Foley?”
    “Oh, I don’t know. Ask the cops,” she said, unbuttoning her jacket. Here I was treated to what every male in my class at Grantham Collegiate Institute and Vocational School would have killed to see: a little more of Stella Seco than Stella noticed was on display. When she saw my expression, she made an adjustment, clucking her tongue. “Benny, won’t you ever grow up?”
    “If taking you for granted, Vanessa, is mature behaviour, then I hope to stay in short pants forever.”
    “I suppose that’s very sweet, but from over here it’s boring.”
    There was something calculated about Vanessa’s sudden unbuttoning of her jacket. She knew the effect it would have on me. Was she trying to change the subject?
    “What does Vanessa Moss have planned for today?” She looked at an electronic appointment book and snapped it shut after a few seconds’ study.
    “Yesterday, you met the junior executives trying to boot me from my Entertainment throne. This morning, you’ll meet the senior executives equally dedicated to the same noble purpose.”
    “How is it you manage to make all these people mad at you?”
    “I don’t take shit, Benny. Not from incompetents below me or above me without making damned sure everybody knows about it. I chose to come into broadcasting a long time ago. In my way, I care about it. I’m not going to carry the can for those bastards who can’t see higher than the bottom line. That’s my answer. You’ll have to get Sally drunk some night and pump her for her version. Sally’s separated, by the way. Do you think you can melt such frosty, unmalleable clay? I’d like to see

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