than I thought necessary to prepare an answer.
“Mr. Green died three months ago, Mr. Cooperman. Cancer of the oesophagus. Very sad.” As soon as she’d said it, I remembered Vanessa telling me on our first official outing together. Meanwhile, Sally had gone back to her reading, once she’d passed on her news. Again I abruptly pulled her attention away from the copy of Billboard she was clipping.
“But Ms. Moss has been here for a year, more or less. What department was Mr. Green moved to?” I was plainly annoying Sally now, and she slapped down the paper on top of a stack of out-of-town newspapers.
“He had several titles: first he was vice-president of Arts and Entertainment for a time, switched to become a senior assistant to Mr. Thornhill, then he was made vicepresident of Arts and Sciences. That was his title at the time of his death.”
“I see. Who’s the vice-president of Arts and Sciences right now, Sally?”
“There isn’t one. I don’t expect there will be.”
“So, it was created for Green and died with him?”
“That’s one opinion, Mr. Cooperman.”
“Do you have another?”
“The charter of the National Television Corporation has always insisted that we have a mandate to keep the arts and sciences within our purview. Some think that we have been lax in this area. Having a vice-president in charge tended to defuse that criticism.”
“So, the ailing Nate Green helped quell the charge of programming for the lowest common denominator.”
“Mr. Cooperman,” she said, colouring just a little, “we program to a wide popular audience, not to the lowest common denominator.”
“You believe that?” I asked, but was destined not to get an answer, for at this moment Vanessa Moss thundered into the room banging down a full briefcase on the broadloom. Once again, she was beautifully turned out, thanks to her friend at Holt’s. This morning she wore a navy pinstripe with a white collar open at the throat and pointing down towards the sort of cleavage that should never be worn by applicants for junior positions at NTC. Boards are notoriously puritanical.
“Where the hell have you been?” There could be no mistake about who she meant.
“I could be dead and buried by now and you wouldn’t know about it until you saw the noon news. Come on, Benny. Get with the program!” I told her that I’d spent the late afternoon with Sykes and his partner, examining the scene of the crime and checking over what measures they had taken to see that no harm comes to her. “And?” she demanded.
“And, yes, the cops have taken steps. They are tailing you day and night. I might have checked in with you, but you didn’t leave me with an address or phone number. They also told me you were in Niagara Falls the day before yesterday, not Niagara-on-the-Lake. Funny how they get these things wrong, isn’t it?” She lowered her guns, and tried to smooth things over.
“I can explain about that. It was a secret meeting with the Shaw Festival artistic director. He suggested we not be seen too close to his present employers.”
“But you failed to tell me the truth, innocent as it appears to be.”
“Coffee?”
I nodded. Sally got up to go fetch. “By the way, Sally, did you get the things I asked you to get for Mr. Cooperman?”
“They were waiting for me on my desk when I got here an hour ago, Vanessa.”
“Good,” Vanessa said through her teeth, without looking up, and Sally stalked out on her morning mission, her trade journals left unattended on her desk. Vanessa began sorting through the newly arrived paper in her IN box. “The daily hell,” she announced. So, after frowning for five minutes, I started telling her about my meetings with Sykes and Boyd. When I stopped talking, she said, “They think I did it. They still think I did it!”
“Not necessarily, Vanessa. Sure, they’re watching you, but that’s at least partly to see that what happened to Renata doesn’t happen to you too.
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